Search results for 'Martin Guitar Junior'

Eastman's Double Top Series feature an innovative take on the classic flat top design. With a unique modification to their top tonewoods, these guitars are more resonant, responsive, and feature better note clarity and balance. The Double Top models feature a pair of one-millimetre-thin spruce slices that are adjoined by Nomex. The latter is a honeycomb-like resinous substance – patented by DuPont – that was originally designed for use in the aerospace industry. It functions as a rigid wall between the two spruce pieces, adding on layers of density and depth. Yet, the added density does not compromise the guitars’ lightness and sonic range. They are designed to respond to all types of vibrations and can handle a variety of styles, ranging from intricate solo picking to larger band setups. The DT30GACE is a Grand Auditorium with cutaway and LR Baggs Anthem Electronics. Learn More

This is a pre Pantheon JR-A (JOM) featuring AA Rosewood and Spruce with rich black Ebony fretboard and bridge. Learn More

Richard Hoover calls the classic OM design the most sophisticated sounding steel string guitar that modern luthiery has achieved. SCGC's new OM Grand model is a bigger, lusher, louder sister to their extremely popular interpretation of the world renowned OM design. In comparison, the OM Grand embodies the same elegance, only in increased quantity of volume, projection and bass. Learn More

The Ramirez 2CWE is an acoustic electric crossover style guitar equally suited for Classical, Jazz, Pop and contemporary Fingerstyle arrangements, with plenty of projection to guarantee you wont get lost in the mix. Learn More

Since the original 000-42EC Eric Clapton Signature Edition was introduced in 1995, Clapton has explored the sonic subtleties of various tonewood combinations in the 000 Martin guitars that bear his name, but the 000-42M Eric Clapton Limited Edition may well boast the most exciting tonewood combination yet. The top is Carpathian spruce, which blends the power and clarity of Adirondack spruce, and the warmth and responsiveness of Italian alpine spruce. The back and sides are Madagascar rosewood, prized for its uncanny resemblance in both appearance and rich resonance to the now-endangered Brazilian rosewood Learn More

The 000-28 Modern Deluxe is a new take on Martin Vintage. This guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. The vintage appointments include a Sitka spruce Vintage Tone System (VTS) top, a dovetail neck joint, and natural protein glue construction that give it the rich, fully aged Martin tone that has inspired generations. The look is unlike anything in our production line to date with European flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. Some ultra-modern features include a titanium truss rod, Liquidmetal® bridge pins with red dots, and a composite carbon fiber bridgeplate that boosts volume without adding weight. And we’ve included a new neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. This guitar is anything but standard. Learn More

Martin Custom Shop 12-Fret Sinker Mahogany Dreadnought Features Hand Selected Wood Sets From NAMM 2018. Learn More

The Taylor 322e Grand Concert (GC) features Mahogany top with Sapele back and sides, fully bound body, satin finish and Taylor's Expression System 1 Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This is a 1992 Gibson Starburst in the rare green burst finish finish Learn More

Based on the Lowden WL (Wee Lowden) body size as originally designed for Ed Sheeran, the W Series models offer a compact feel without compromising in tone over larger guitars. Learn More