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Marshall Valvestate Learn More

2015 Waterloo WL-14 LTR with ladder bracing option providing a woody and open tone, with midrange honk that's perfect for fingerstyle blues. Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More

This is a mint, custom Go Guitars Type II Parlor built by master Luthier Sam Radding. Mostly known for giving Bob Taylor his start in the guitar business, and more recently for his outstanding Go Travel guitars, Sam has also been building custom guitars in sizes ranging from small 3/4 size Parlor guitars up to 00 size models. Learn More

The Taylor 324 Grand Auditorium (GA) features Mahogany top with Sapele back and sides, fully bound body, and satin finish Learn More

Our latest house customs from the Martin Custom Shop feature 18 series appointments, all premium Mahogany construction and of course the 1-3/4" nut 2-1/4" saddle spacing combo. Full specs can be found under the Product Description tab Learn More

This Grand Auditorium BTO features all Mahogany body with highly figured Koa trim, and full edge burst gloss finish Learn More

The Eastman E20OMCE is an outstanding choice for finger-style as well as rhythm and leads. With amazing dynamic range, Eastmans Orchestra Model runs the gamut from subtle to bold. It's articulate and comfortable to play due to their reduced body depth and slightly shorter 24.9 scale length. With the Fishman GT2 electronics, it's ready to go from sofa to stage at a moments notice. Learn More

Designed to deliver pronounced low-end resonance suitable for an array of playing styles, with a bigger voice than the concert body, the Auditorium Rosewood offers the benefits of larger-bodied guitars without the bulk Learn More

This GS BTO features gorgeous figured Rosewood back and sides with select Adirondack top, and Ebony trim with armrest Learn More

This is a 2017 Rockbridge 000 Deluxe featuring Abalone inlays, Koa binding, Red Spruce (Adirondack) top and Brazilian Rosewood back and sides. Full specs are as follows: Top: Red Spruce (Adirondack) Back & sides: Brazilian Rosewood Binding: Koa Nut width: 1 3/4" Scale length: 25" String spacing at saddle: 2 1/4" Pickup: Fishman Matrix Infinity Case: Cedar Creek hard shell case This guitar is in excellent condition with no structural issues to mention but it does have some pick scratches on the soundboard above and below the strings. Learn More

This is a David Dart Style 1 Hawaiian lap steel guitar made in the traditional Hawaiian style of the 1930's, the sides continue up to the head stock making the neck hollow. David's guitars were inspired by Weissenborn, Kona and Knudsen style guitars. Learn More