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Halfling SB -- Designed with electric blues, rock and jazz players in mind, this revolutionary guitar has, at its heart, a rather sophisticated interior build that is a marriage of archtop and semi-hollow build techniques applied to a body shape that most definitely has some DNA from the mighty Les Paul, the 335, the Testadura and the ES175 Learn More

Built in accordance with Martins responsible guitar building practices, the SWOMGT sustainable wood model provides a combination of great tone and attractive appointments. Yes, the majority of wood utilized in this instrument originated in forests managed in an ecologically responsible manner, but it looks, plays, and sounds great too. Learn More

Handcrafted exclusively from solid tone-woods, sitka spruce and rosewood. The scalloped 1930s advanced X-bracing pattern provides a rich and deep tone. The J-29 belts out an incredibility wide dynamic range that is balanced across the tonal spectrum Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar. This is a vintge 2004 model.

Full Specs are as follows:

Body type: Super Jumbo
Top wood: Sitka Spruce
Back & sides: Flame Maple
Bracing pattern: Scalloped
Body finish: Nitrocellulose lacquer
Nut width: 1 - 3/4"
Fingerboard: Rosewood
Neck wood: Maple
Scale length: 25.3
Number of frets: 20
Neck finish: Nitrocellulose lacquer
Electronics: Fishman Matrix
Headstock overlay: Ebony
Tuning machines: Gold
Bridge: Rosewood
Case: Original Hardshell case
Country of origin: United States

This guitar has no structural issues, but it does show small dings on the body, neck, and on the headstock. Neck angle is perfect, frets are good, and electronics work as they should. The case is alo in good condition, but the tolex has some wear around the edges. It is perfect inside.

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The Rosewood/Cedar 712e features a compact Grand Concert body and short-scale 24-7/8-inch neck for a physically comfortable playing experience. The short-scale design will appeal to players looking to ease the stress on their fretting hands, and the slightly slinkier feel of the strings makes bending easier. A warm Vintage Sunburst top and neck, grained ivoroid binding and rosette, and grained ivoroid Heritage Diamond fretboard inlays evoke a classic vibe. Learn More

East Indian Rosewood is the choice wood used for the back and sides of this captivating guitar. The top has been made with hand selected Redwood. The soft sound of this guitar is incredibly appealing to fingerstyle players. Learn More

Gibson LG2 American Eagle produces a tone that rivals much larger guitars while maintaining exceptional clarity and focus in individual notes. Ideal for folk, blues and finger style, the LG-2 maintains a full-dynamic range in a compact package. Handcrafted solid tone wood and scalloped top bracing provide the warmth and richness that have made spruce and mahogany a classic combination in acoustic flat-top guitars, while the short scale and roomy yet comfortable nut width make for easy playing no matter what the style. Quality Gibson construction, a dovetail neck-to-body joint, and simple appointments remain true to the intent of the original, while subtle changes in playing feel provide the modern player with the best of both worlds. Equipped with a Baggs Element pickup, the LG-2 is ready to accompany you at the coffee shop or in the concert hall. Learn More

Kevin Enoch, founder of Enoch instruments, has been making and playing banjos and other stringed instruments since 1984. Enoch Instruments was formally established in 1990. Kevin's goal is to embrace the aesthetics of the great banjo makers of the early 20th century. Kevin's love for the music, as well as his craft, is apparent in the degree of care and precision he puts into every detail of these musical masterpieces. Learn More

The Rainsong Parlor body combines the traditional compact shape with a modern venetian cutaway for a perfectly proportioned intimate guitar with excellent access to the upper frets. A lower bout of 13.3" and depth of 4-1/8" makes it RainSong's smallest body. Features all-graphite "Black Ice" soundboard crafted using RainSong's Projection Tuned Layering technique. No soundboard braces. Abalone rosette. All-graphite body. No body braces. All-graphite N2 neck and composite fingerboard fabricated using RainSong's Performance Shape Casting as a single piece. Adjustable truss rod. Custom Mother of Pearl sharks. AccessoriesTusq Nut, saddle. MOP inlaid Tusq bridgepins.Customized hardshell case. UV protective, high-gloss, clear urethane finish. Learn More

The SCGC 1929/00 pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. Learn More

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

The Martin SWDGT from the Sustainable Wood Series features a solid Sitka spruce top, certified solid cherry wood back and sides, mahogany neck, and a certified katalox bridge and fingerboard. The neck has a low profile shape and an adjustable truss rod. Appointments include pearl dot inlays and a natural satin finish for enhanced tone. Includes deluxe Martin hardshell case. Features Model: SWDGT Construction: Solid Sustainable Cherry Blocks; Mortise/Tenon Neck Joint Body Size: D-14 Fret Top: Solid Sitka Spruce Rosette: Tortoise Color WwIvoroid, Blue And White Inlay Top Bracing Pattern: A-Frame ''X'' Top Braces: Solid Sitka Spruce 5/16'' Back Material: Solid Sustainable Cherry Back Purfling: Tortoise Color Side Material: Solid Sustainable Cherry Endpiece: Delmar Tortoise Color - Red Endpiece Inlay: None Binding: Tortoise Color - Red Top Inlay Style: Black/Grained Ivoroid Side Inlay: None Back Inlay: None Neck Material: Sustainable Cherry Neck Shape: Modified Low Oval Nut Material: White Corian Headstock: Solid/Square Taper Headplate: Tortoise Color/Raised Gold Foil Heelcap: Tortoise Color - Red Fingerboard Material: Solid Sustainable Katalox Scale Length: 25.4'' # of Frets Clear: 14 # of Frets Total: 20 Fingerboard Width at Nut: 1-11/16'' Fingerboard Width at 12Th Fret: 2-1/8'' Fingerboard Position Inlays: Style 28 - Imitation Pearl Dots Fingerboard Binding: None Finish Back & Sides: Satin Finish Top: Polished Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Sustainable Katalox Bridge Style: Belly Bridge String Spacing: 2-1/8'' Saddle: 16'' Radius/Compensated/White Tusq Tuning Machines: Gold Enclosed w/ Small Buttons Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: White w/ Tortoise Colored Dots Pickguard: Tortoise Color Case: 640 Molded Interior Label: Sustainable Wood Series Includes deluxe Martin hardshell case Learn More