Search results for 'Brand 3'

Gibson Custom Shop Keb Mo Model - The blues was born as an acoustic music style and its roots still reach back to that early connection. No artist embraces this ethos more than Keb' Mo', whose post-modern blues stylings stretch to fully electric blues, jazz, and R&B, while constantly referencing the Delta-fried, acoustic-fueled music that forms the beating heart of his inspiration. Gibson Acoustic honors this three-time Grammy Award Winner with the Keb' Mo' Bluesmaster, a flat-top acoustic guitar made in the tradition of the great small-bodied Gibson blues boxes with the added versatility of a built-in L.R. Baggs Element pickup with soundhole-mounted volume control. Learn More

This is a custom Go Guitars Go Grande built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More

This is a 2001 Gibson ESDT-335 featuring a beautiful trans dark cherry finish and figured single-ply bound Maple body for a cool vintage look. Also features Rosewood fretboard, NGold Hardware, Grover Tuners, and 57 Classic humbucking pickup. Learn More

This is one of the rare Custom Shop 0000's Dick Boak dubbed the M5 and it is this guitar that was the inspiration for the Jorma M30 signature model. This was supposed to be a run of 14 guitars but we are told only 7 were completed, one of which Dick Boak lent to Jorma who fell in love with the guitar instantly. Jorma ended up buying that borrowed M5, and during his next visit to Martin he and Dick drew up the specs for a slightly watered down version of the M5 that became the M30 Jorma signature model. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Ibanez Artcore AS73-BS Thinline Hollowbody Learn More

This is a Limited Edition Larrivee L-03QM featuring gorgeous quilted Maple back and sides with tight grain Spruce top Learn More

This is a recent SCGC OM/PW with custom Short Sclae, Adirondack Brace with Hide Glue I mint condition Learn More

The Taylor 324 Grand Auditorium (GA) features Mahogany top with Sapele back and sides, fully bound body, and satin finish Learn More

The Antonio Aparicio AA-30 is the next level up from the AA20 for the intermediate student. This guitar is the first in the Aparicio line to have rosewood sides and back. Options for the top are either cedar or spruce (cedar featured here). It has an ebony fingerboard and gold plated tuners. Projection is strong enough for the recital stage. Scale length: 650mm. Width at nut: 52 mm Learn More

This is a 1997 Fender American Standard Stratocaster in excellent plus condition Learn More

This is a mint Gibson Les Paul Gold Top 57' Reissue LPR-7 with original case and all original paperwork. The classic goldtop finish graces the top, while the back has a dark stain. The BurstBucker pickups on this Gibson 1957 Les Paul Goldtop "VOS" (Vintage Original Spec) are precise copies of the original "Patent Applied For" versions that were the first dual-coil humbucking pickups ever produced in quantity. Their full, round, and versatile sound is as unique now as it was then. Classic carved maple top, solid (non-weight relieved) mahogany back, and one-piece mahogany neck generate the singing resonance that made the original one of the world's most sought-after guitars. Finish and hardware are gently aged to make it look exactly like the real McCoy. Early '50s rounded neck profile gives you something serious to hang onto Learn More