Search results for 'Martin Guitar 16 Series'

This is a 2012 Martin D-42 with optional Fishman Elipse Blend electronics in as-new condition Learn More

The Gibson Custom Shop has re-created the guitar that Peter Frampton played on his multiplatinum live album from 1976. Distinctive features include a mahogany back with weight-relief chambers, the Peter Frampton custom slim neck profile, and three Gibson humbuckers: '57 Classic (neck), '57 Classic Plus (middle), and 500T (bridge). The 3-way pickup selector is wired so the middle pickup is always on (with its own volume and tone) and can be combined with the front or rear pickups. Top-level Les Paul Custom features include the ebony finish, 22-fret Richlite fingerboard with pearl block inlays, single-ply white binding on top and back, kidney bean tuners,and gold hardware. Includes case. Learn More

This is a mint, custom Go Guitars Type II Parlor built by master Luthier Sam Radding. Mostly known for giving Bob Taylor his start in the guitar business, and more recently for his outstanding Go Travel guitars, Sam has also been building custom guitars in sizes ranging from small 3/4 size Parlor guitars up to 00 size models. Learn More

This is a 2011 PRS Custom 24 with gorgeous quilted top and hardshell case. Learn More

This gorgeous Custom12-Fret features handpicked Cocobolo back & sides, amazing Sinker Redwood top, Flamed Koa binding and ES2 Electronics Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This custom Taylor BTO features 12-Fret Grand Auditorium body with handpicked AA Figured Walnut back and sides and select Cedar soundboard (a favorite tonewood combo with many of our clients). Learn More

Richard Hoover calls the classic OM design the most sophisticated sounding steel string guitar that modern luthiery has achieved. SCGC's new OM Grand model is a bigger, lusher, louder sister to their extremely popular interpretation of the world renowned OM design. In comparison, the OM Grand embodies the same elegance, only in increased quantity of volume, projection and bass. This one has been upgraded with gorgeous European Spruce top for added power, and clarity. Learn More

This is a David Dart Style 1 Hawaiian lap steel guitar made in the traditional Hawaiian style of the 1930's, the sides continue up to the head stock making the neck hollow. David's guitars were inspired by Weissenborn, Kona and Knudsen style guitars. Learn More

Built to our specs using wood sets we hand picked at the Martin factory, this Martin Custom Shop 00-42 features select Madagascar back and sides, top shelf Adirondack soundboard, and complete Hide Glue construction assuring you get the most resonant guitar Martin can build. We were able o lock in to some Madagascar sets before last years price hike which means you not only get an amazing guitar but you get it at amazing price. Learn More

Classic never goes out of style. Our Legacy has a full dreadnought-sized body to deliver the most power and bottom end of our line. Our performance tuned lightweight carbon fiber top bracing gives it a very quick and clean response and excels at all musical styles. The back is slightly curved to make it more comfortable to play than a standard dread. Trust us, you won't want to put it down Learn More

This is gorgeous 1964 Guild T-100 Archtop with Florentine cutaway. Learn More