Search results for 'Martin Guitar Marquis Collection'

This is a semi custom 2012 Taylor 614CE featuring upgraded wood, three piece back and Gotoh 510 tuners Learn More

This is a Custom Shop Taylor Grand Auditorium (GA) Featuring European Maple body, Lutz Spruce Top and ES2 electronics Learn More

McNaught Custom Phoenix Rising Learn More

This is a 2011 Martin HD-28V in excellent condition Learn More

The D-28 is the Dreadnought by which all others are judged. Constructed of solid East Indian rosewood back and sides, Sitka spruce top and mahogany neck, this instrument has been a favorite of artists from Hank Williams Sr. to Jimmy Page. Massive bass response balanced with articulate highs makes this a benchmark acoustic guitar and a must-have for every guitarist Learn More

This custom shop guitar features rare Parrott engraving, along with full Presentation Series Paua Abalone inlays top, back, sides and headstock, and fngerboard extesion, as well as Paua Taylor logo. The wood sets come from a small batch of European Maple, and European Spruce at Taylor, and the tone is to die for. The guitar might actually sound better than it looks. Learn More

The Taylor SB2-S double cutaway electric guitar with dual Humbuckers and amazing Quilted Maple top. Learn More

This custom Taylor features a 12-Fret Grand Concert body with handpicked Sinker Redwood soundboard and AA Koa back & sides and latest ES electronics Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

The Taylor 322e Grand Concert (GC) features Mahogany top with Sapele back and sides, fully bound body, satin finish and Taylor's Expression System 1 Learn More

This is a vintage D12-35 manufactured in 1974 featuring three-piece Rosewood back and Rosewood sides, one-piece Mahogany neck, and Ebony fretboard and bridge. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More