Search results for 'Martin Guitar Little Martin'

This gorgeous Custom12-Fret features handpicked Cocobolo back & sides, amazing Sinker Redwood top, Flamed Koa binding and ES2 Electronics Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This is a 12-Fret Grand Concert full custom Taylor BTO featuring hand picked Cocobolo and Sinker Redwood, and gorgeous edge burst finish. Below are just some of the features of this custom Learn More

The Rosewood/Cedar 712e features a compact Grand Concert body and short-scale 24-7/8-inch neck for a physically comfortable playing experience. The short-scale design will appeal to players looking to ease the stress on their fretting hands, and the slightly slinkier feel of the strings makes bending easier. A warm Vintage Sunburst top and neck, grained ivoroid binding and rosette, and grained ivoroid Heritage Diamond fretboard inlays evoke a classic vibe. Learn More

The Taylor 322e Grand Concert (GC) features Mahogany top with Sapele back and sides, fully bound body, satin finish and Taylor's Expression System 1 Learn More

Taylor Guitars Custom Grand Symphony (GS) with off menu Mun Ebony back and sides, Engelmann Spruce top and ES2 Electronics Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

This is the eighth incarnation of C.F. Martin, IV’s “CEO’s Choice” series,with favored specifications selected by Chris Martin. Martin’s largest acoustic body size, the Grand Jumbo, delivers great value for all of the included features. Learn More

This is a 2006 Clarksdale Crossroads 12-Fret 00 hand built by master luthier Mark Taylor of Crafters of Tennessee. Learn More

This is a mint Cordoba 55FCE, perhaps the ultimate crossover nylon-string guitar, suitable for most any style of guitarist. Learn More

Rare 1998 Martin 00-21GE Golden Era 00 12-Fret with Case S/N 650278 Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More