Search results for 'Martin guitars'

This full Custom Taylor features 12-Fret Grand Concert (GC) with hand picked Cocobolo back and sides, Cedar top, Koa binding, and ES2 Electronics Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

This is the Custom Shop edition of Eastman's AR905CE with Gold Lollar Johnny Smith Pickup, custom setup and fretwork, and master grade solid wood inlays all done by Eastman's master luthier Otto D'Ambrosio . Fans of traditional or modern jazz will feel right at home with our handcrafted take on archtop guitars. We’ve brought classic designs to life and into the hands of legendary players like John Pisano and Frank Vignola. Eastman offers three different construction options with three different sounds and functionalities. Learn More

This is a Martin Custom Shop 00 featuring Blistered Koa back and sides with 5-6 grade Adirondack top and Adirondack Golden Era bracing and gorgeous Paua trim. This is not only one of the most attractive 00's we have had in here but it has to be the most resonant as well Learn More

This is a Custom Shop Martin 00-42 we spec'd out at Winter NAMM, Serial Number 1694275. Here's a little background for you. Learn More

Juan Hernandez Profesor - Juan Hernandez Iranzo was born in Spain in the late 1940's, he began building guitars in the Francisco Esteve workshop at age 15, whhere he became an "oficial guitarmaker" and later the production manager of the Esteve workshop. Today he is offering a limited number of fine guitars under his own label featuring the highest quality materials, and workmanship. Learn More

This is a 2004 McAlister Concert featuring old growth Sitka Spruce top and Brazilian back and sides.

From McAlister Guitars:

"The McAlister Concert model takes its inspiration from the...

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This is a 1998 Custom D-41 featuring select Sitka Spruce top and amazing book matched Brazilian back and sides. Learn More

Froggy Bottom Model M was Born of requests for a grand concert version of the popular full-sized K guitar, Froggy Bottom M guitars sing with a balanced voice that has repeatedly been characterized as having great clarity and sparkle. Even when played with great delicacy, the Froggy M speaks clearly and beautifully. Its tight waist and full, rounded lower bout make it a pleasure to have in your lap Learn More

Carrying a distinct vintage-inspired design and updated like the D-18 a few years ago, the redesigned 000-18 offers many of the features found in Martins pre-war era guitars. The body is edged with tortoise binding and complemented with a polished finish. The 24.9” short scale model’s neck features a modified low oval profile with Performing Artist taper, with a width of 1-3/4” at the nut and 2-3/16” string spacing for easy playability. Nickel open-geared tuners with butterbean knobs are found with a rosewood headplate, which displays a large old style Martin logo. We've modified this model with select Rosewood back and sides to provide added warmth, cleaner highs, and slightly scooped out mid range. Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More