Products
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NewTaylor Satin Guitar Cleaner, 4 oz.
The ultimate guitar cleaner for your satin-finish guitar. Cleans and restores your satin-finish, leaving no oils, silicone or waxy residue. Made in USA. Learn More -
NewTaylor Slim Leather Strap, Chocolate Brown, 1.5", Model 4205-15
100% free of animal products Features an engraved design and an embossed Taylor logo Slim design providing the most freeing experience Provides comfort and support Learn More -
NewTaylor Spring Vine Strap, Chocolate Brown Leather, 2.5", Model 4124-25
This leather guitar strap features a dark brown hue and a decorative Spring Vine pattern that matches the inlays from Taylor Koa Series guitars, and includes an embossed Taylor logo. Made in USA from genuine leather. Model #K250-05 Learn More -
Taylor Strap, Embroidered Suede, 2.5", Model 4400-24, 4401-25 & 4402-25
Taylor premium suede guitar strap with embroidered Taylor logo. Available in: Black - Model #4401-25 Chocolate Brown - Model #4400-25 Honey Gold - Model #4402-25 Made in Canada. Please specify color when ordering Learn More -
NewTaylor Vegan Leather Strap, Chocolate Brown Sequin, 2.25”, Model 4204-22
Taylor vegan leather strap in chocolate brown with sequins and Taylor logo. Vegan product, 100% free of animal products. Model Number: TV225-05 Learn More -
NewTaylor Vegan Leather Strap, Chocolate Brown, 2”, Model 4200-20
Taylor vegan leather strap in chocolate brown with embossed Taylor logo and stitching. Vegan product, 100% free of animal products. Learn More -
NewTaylor Vegan Leather Strap, Tan, 2.5”, Model 4203-25
Taylor vegan leather strap in tan with embossed Taylor logo and stitching. Vegan product, 100% free of animal products. Learn More -
NewTaylor Wings Distressed Leather Strap, 2.5", Model 4109-25
600 Series Wings distressed leather guitar strap in multi-layered Dark Brown with embossed Taylor logo and Wings motif. 2.5", Model #4109-25. Made in USA. Learn More -
Pre-OwnedVintage Bryant Trenier Brodway 17" Archtop #1057
Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More
