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Pre-OwnedSimon & Patrick Woodland Pro Parlor
Simon & Patrick Pro Parlor - The Woodland Pro series models are comprised of all solid wood. Featuring only the highest grade of Select Pressure Tested solid spruce tops, solid mahogany back & sides. The Woodland Pro series guitars also feature a Custom Polished finish and mahogany necks which are sanded and finished by hand to provide remarkable comfort and playability up and down the rosewood fingerboard. The classic aesthetic beauty of these acoustic guitars are accentuated by the intricate wood rosette, layered binding, high-ratio tuners, Tusq bridge pins by Graphtech and the hand contoured headstocks. Learn More$599.00Out of stock
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Pre-OwnedSteve Andersen Model 18 Archtop #252 With Calton Case
Steve Andersen Model 18 Archtop #252 With Calton Case Top - Premium Bookmatched Sitka Spruce Back and Sides - Hand Carved Bookmathched AAA Flamed Maple Fretboard - Ebony Headstock Overlay - Ebony Ebony Brideg and Tail Piece Scale - 25.5" Nut Width - 1-3/4"" Spacing at the Bridge - 2-1/8" Upper Bout - 14" Waist - 11.5" Lower Bout - 18" Body Depth - 3" Tuners - Schaller Gold Condition is excellent Plus, with Calton hardshell case Learn More$7,199.00Out of stock
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SoldTaylor Guitars 855 12-String Jumbo Vintage 1986 Lemon Grove Model
This amazing guitar was hand built in Taylors tiny Lemon Grove shop back in 1986 by Bob Taylor with help from Larry Breedlove, well before they started using CNC machines for everything. This model was used by artists like Neil Young and Prince who appreciated the ultra-playable neck. Original pre-CNC Taylors are getting harder to find as collectors start to see the value. Grab this one at a very fair price. Learn More -
Pre-OwnedVintage Bryant Trenier Brodway 17" Archtop #1057
Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More
