Search results for 'pre owned electric'

Martin’s premium classical strings are tonally superior to nylon. The proprietary synthetic material emulates gut strings that have been around for centuries. Magnifico™ strings, developed exclusively with Aquila, offer precise intonation and exceptional tuning stability. All Nazareth-made nylon guitars and custom produced nylon guitars are strung with Martin’s Magnifico™ premium classical strings. Unlike Martin’s standard classical strings, which have a ball-end, Magnifico™ classical strings will be offered only with the traditional tie-end. Model: M265 
Gage: Normal Tension
, E: .025
, B: .0131, 
G: .0376, D: .029
, A: .035
, E: .042
 Tension: 98.1 Learn More

Eastman's AC822CE-Koa-LTD is a full size Grand Auditorium featuring all solid Koa construction, Venetian cutaway, Beveled Armrest, Sound Port and premium Fishman Anthem electronics. Learn More

Based on some of our favorite pre-war Martins this full custom Size 2 Parlor features premium Genuine Mahogany and hand cut dovetail neck construction. Full specs are as follows: CONSTRUCTION: Standard; Mahogany Blocks/Dovetail Neck Joint BODY SIZE: Size 2 TOP: Solid Genuine Mahogany (2 piece) TOP GRADE: 3 TOP BRACES: Sitka / Scalloped 1/4'' / Standard PATTERN: Size 2 - X-Brace TOP BINDING: None TOP INLAY: None TOP PEARL: None ADDITIONAL TOP INLAY: None ROSETTE: Single Ring PEARL INLAY: None ADDITIONAL ROS. INLAY: .015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber PICKGUARD: NONE PEARL INLAY: None BACK: Genuine Mahogany BACK PANELS: 2 PURFLING: None CENTER STRIP/LOC. STAMP: Sitka Standard (C.F. Martin & Co. Nazareth, PA Btwn 1st & 2nd Brace) CAUTION STAMP: None BACK BRACES: Sitka Spruce BACK BINDING: None BACK INLAY: None BACK PEARL: None ADDITIONAL BACK INLAY: None SIDES: Genuine Mahogany SIDE INLAY: None SIDE PEARL: None ADDITIONAL SIDE INLAY: None SIDE STRIPS: None ENDPIECE: None ENDPIECE INLAY: None ENDPIECE PEARL: None BLOCK: Mahogany TAG/PLATE: None REAR: Size 2 Mahogany FRONT: Size 2 Adjustable Mahogany Line 1: C. F. Martin Logo Line 2: Custom Shop Logo Line 3: Serial # Line 4: Line 5: NECK: Genuine Mahogany- 12/4 NECK SHAPE: Mod Low Oval HEADSTOCK: Slotted / Do Not Square Slot Corners / 6 String / No Diamond BACK/HEAD STAMP: None TRUSS ROD: 2-Way Adjustable 335mm HEELCAP: None NUT: Bone ON ANGLE/FLAT: Flat HEADPLATE: Solid East Indian Rosewood HEADPLATE DECAL: Small Old Style HEADPLATE BIND: None HEADPLATE INLAY: None HEADPLATE PEARL: None ADDITIONAL HP INLAY: None TUNING MACHINES: GoldenAge2508-Relic Nickel,SideMnt,3OnPlate,EngrvdIvrdBtn(Drill in MR)-"C" Drill FINGERBOARD: East Indian Rosewood RADIUS: 16'' SCALE LENGTH: 24.84 (24.9) WIDTH AT NUT: 1 3/4'' (1.750) WIDTH AT 12 FRET: 2 1/4'' (2.250) FRET WIRE: German G300,Notched 1 3/4 FRETS CLEAR: 12 TOTAL FRETS: 18 FINGERBOARD BIND: None FINGERBOARD INLAY: None PEARL INLAY: Diamond & Squares - Short Pattern (Select Abalone) (GE) ADDITIONAL FB INLAY: None SIDE DOTS: Yellow ABS SIDE DOT POSITION: One at 3rd, 5th, 7th, 9th, Single at 12th, One at 15th & 17th Frets FINISH TYPE: Satin Finish FINISH BODY: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain / Rosewood Filler FINISH TOP: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain/Rosewood Filler FINISH NECK: CCraft Cat Modified 15 Sheen Satin/Universal Dark Mahog Stain/Rosewood Filler BRIDGE: East Indian Rosewood STYLE: Straightline w/ Drop-In Saddle PEARL INLAY: None ADDITIONAL BR INLAY: None STRING SPACING: 2 1/4'' (2.250) SADDLE: SL,Compensated,Bone,16R,#5 ELECTRONICS: Optional STRAP BUTTON: None STRINGS: MSP 4100 Light Phosphor Bronze BRIDGE PINS: Black Ebony END PIN: Black Ebony Learn More

Gibson L-00 Studio Walnut Spruce LR Baggs Electronics & Case Learn More

Built for us by the Martin Custom Shop, this Size 2-42 Style Parlor is based on some of the first and finest Martins made. Featuring premium woods throughout with rich 42 series abalone inlays, this guitar plays, looks and sounds amazing! Click on the Product Description tab for full specs. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

A premium guitar polish for all glossy instruments, Taylor’s unique formula cleans and polishes to a high-gloss finish. Safe for all types of guitar finishes. Made in USA. Learn More

Taylor Guitars 456ce SLTD 2014. The cutaway 12-string 456ce showcases solid African Ovangkol’s responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. Like all Taylor models, the sleek profile and low action of the neck makes our 12-strings incredibly comfortable to play, with crisp tonal separation. White binding applies a clean counterpoint, while an all-gloss finish on the body enhances Ovangkol’s beautiful variegation. Taylor’s onboard Expression System® 2 acoustic electronics respond with high-fidelity amplified acoustic sound that will make any performance or recording shine Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

Kevin Enoch, founder of Enoch instruments, has been making and playing banjos and other stringed instruments since 1984. Enoch Instruments was formally established in 1990. Kevin's goal is to embrace the aesthetics of the great banjo makers of the early 20th century. Kevin's love for the music, as well as his craft, is apparent in the degree of care and precision he puts into every detail of these musical masterpieces. Learn More

The Premier Auditorium Copper brings the same playing and sound dynamics as the Premier Concert Copper, but with a more pronounced presence. The larger body moves more air and as a result creates a larger sound. For ensembles the auditorium holds its own while still delivering the beautiful to the ear rich blossoming notes. The larger lower bout invites a fuller bass response, working efficiently with the rosewood back. The Premier Auditorium Copper is a magnificent ensemble guitar. Learn More