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Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in our Orchestra models. Neck Material: Mahogany Fingerboard: Ebony Fingerboard Radius: 12" Neck Profile: Traditional Even "C" Nut: Bone Nut Width: 1.75" (44.4mm) Fretwire: 20 Jescar-FW43080 Scale Length: 24.9" Body Dimensions: 15" x 4 1/4" Bracings: Hand-carved Scalloped X Body Top: Solid Sitka Spruce Body Back/Sides: Solid Ovangkol Bridge/Saddle: Ebony/Bone, 2 5/32" Spacing Rosette: Classic Truss Rod: Dual Acting Binding: Top and Back Binding Material: Herringbone Logo: Pearl Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: White Plastic w/ Black Dots Body Top Finish: Truetone Gloss Back/Sides Finish: Truetone Gloss Hardware Color: Nickel Pickguard: Tortoise Shell Tuners: Open-Gear PingWell V93N 3+3 Electronics: Fishman Sonitone Case: Deluxe Padded Eastman Gig Bag Learn More

Comfort Meets Versatility. From a sunny day on the back porch to a big night on stage, the smaller upper bout paired with the larger lower bout and thin soundbox makes the OO an absolute joy to play. Learn More

Built for comfort and speed! Based on the 1962 model 6120, the Chet Atkins Nashville hollowbody double-cutaway electric guitar features two high sensitive Filter'Tron pickups, Gretsch rocking bar bridge, Bigsby B6C vibrato tailpiece, and flip-up muffler system. Complete with simulated f-holes and snap-on back pad. Finished in high-gloss stain. Learn More

A compact 14” thinline with the soul of a full-body archtop. Carved Maple Top, Carved Mahogany back and sides with remarkable versatility for jazz, blues and rock. Lollar Custom Wound Imperial Humbucker Pickups. Learn More

This classic wood pairing of solid Sitka spruce and solid mahogany accentuates the tonal balance Breedlove concerts are so well known for. With the Breedlove Bridge Truss, the tops dampen more slowly allowing the overtones to blossom, bringing warmth to each note. It also lessens onstage feedback giving performers more flexibility in their volume and tone settings on the LR Baggs side-mounted electronics controls Learn More

The Martin D-X2E Molly Tuttle delivers Molly’s signature look and feel in an accessible, road-ready package. Inspired by her 1943 D-18, it features a fast, comfortable 1940s neck profile with a 1 11/16" nut width—offered here for the first time in the X Series. A vintage sunburst top, custom oval tuner buttons, and moon phase inlays bring Molly’s artistry and individuality to life. Figured mahogany HPL back and sides ensure durability across any climate, while scalloped X-bracing and a solid spruce top provide clear, articulate tone. Nickel open gear tuners, a softshell case, and Martin E1 electronics round out the details, making this a true signature model that brings Molly’s style and player-focused specs within reach of more musicians. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This Grand Concert BTO features AA Rosewood body with Cocobolo trim, Abalone Paua inlay and latest ES electronics. The nut is a 1-7/8" and the neck shape is V-carve Learn More

Snark SN5 Clip On Guitar, Bass & Violin Tuner Learn More

This custom BTO Grand Auditorium featuring hand selected AA Koa back and sides an amazing piece of Sinker Redwood top with Ebony binding Learn More

Bill Moll Custom 18" F-Hole Archtop - Last One Built by Bill Specs are as follows: Top - Premium Bearclaw Sitka Spruce Back and Sides - Hand Carved Highly Quilted Maple Fretboard - Ebony Headstock Overlay - Ebony Binding - Flamed Koa Floating Bridge Scale - 25.5" Nut Width - 1-3/4" Spacing at the Bridge - 2-1/16" Upper Bout - 13" Waist - 11-1/4" Lower Bout - 18" Body Depth - 3-3/8" Tuners - WEM Gold w/ Ebony Buttons Comes with hard-shell case and Kent Armstrong PAFO pickup, not installed. Note that this is one of Bill's highest grade instruments. Learn More

The GK Studio Negra is the ultimate gigging instrument. Built with a solid European spruce top and Indian rosewood back and sides, this nylon string guitar comes equipped with a soft cutaway and Fishman Presys Blend pickup. The GK Studio Negra is a flamenco guitar made for the stage, constructed with a slightly thinner body depth, neck, and nut width than a traditional Spanish guitar. The neck is designed to have little or no relief, offering low action for ease of comfort and quick playability Learn More