Search results for 'Test Sold Item'

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More

This is a 1998 Guild X-150 D AB featuring gorgeous sunburst finish in excellent condition Learn More

The E10-OM is a popular choice for fingerstyle but will handle a flatpick with ease. Featuring solid Adirondack Spruce top, solid Mahogany back and sides with dynamically responsive ebony fingerboard. The extended volume range ideal for ensemble playing Learn More

From the shop of Nathan R. Anderson we have this amazing Rosewood and Carpathian Spruce Style One. As you can see the guitar is gorgeous but the tone is even more spectacular. Yes, we really like this guitar Learn More

This is an 2014 Martin D-18 Dreadnought featuring sleek, modern High Performance Neck for enhanced playability, gorgeous Sitka Spruce top and select Mahogany back and sides. Learn More

This GS BTO features gorgeous all Mahogany construction with Rosewood binding throughout, bone nut and saddle and top shelf Gotoh tuners. Although it looks amazing make no mistake, this is a players guitar with a big bold voice, outstanding note separation and tons of headroom Learn More

This is one of the original 500 Brazilian Rosewood Martin 000-28ECB Eric Clapton Signature models built in 2002. This one is #90 of 500 made, and it features exceptional Brazilian Rosewood back and sides. Full specs are as follows: Martin 000-28ECB Eic Clapton Limited Brazilian Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 000-14 Fret Top: Solid Sitka Spruce Rosette: Fine Herringbone Top Bracing Pattern: Standard "X" Scalloped Top Braces: Solid Sitka Spruce 5/16" Back Material: Solid Brazilian Rosewood Back Purfling: HD Zig-Zag Side Material: Solid Brazilian Rosewood Endpiece: Grained Ivoroid Endpiece Inlay: Black/White Boltaron Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Side Inlay: None Back Inlay: Black/White Boltaron Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Solid/Diamond?SquareTaper Headplate: Solid Brazilian Rosewood/Large Old Style Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 24.9" Number of Frets: 20 Fingerboard Width at Nut: 1-3/4" Fingerboard Width at 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamonds & Squares - Long PatternFingerboard Binding: None Finish Back & Sides: Polished Gloss Finish Top: Polished Gloss w/ Vintage Toner Finish Neck: Polished Gloss Bridge Material: Solid Black Ebony Bridge Style: Belly Bridge String Spacing: 2-1/4" Saddle: 16" Radius/Compensated/Bone Tuning Machines: Gotoh Nickel Open-Geared w/ Butterbean Knobs Recommended Strings: Martin Light Phosphor Bronze (MEC12) Bridge & End Pins: White w/Black Dots Pickguard: Tortoise Color - Beveled & Polished Case: Original Martin Case Interior Label: CFM IV & Eric Clapton Pre-Printed Signatures Learn More

Taylor Custom Macassar / Sinker Grand Auditorium Learn More

This is a 2011 PRS Custom 24 with gorgeous quilted top and hardshell case. Learn More

This custom Taylor features Grand Auditorium body with handpicked Grafted Walnut back and sides and hand picked Sinker Redwood soundboard, Flamed Maple binding and a light edgeburst finish Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This Custom12-Fret Nylon String features handpicked Macassar Ebony back & sides, Premium Engelmann top, Ebony binding with Armrest, and ESN Electronics Learn More