Search results for 'om 42 martin'

Boost your performance with the L1 Model II system, Bose's most advanced portable amplification system for musicians, DJs and public speakers. The loudspeaker delivers 180 degrees of horizontal sound coverage and our smoothest tonal balance—across the stage and throughout the room. And the ToneMatch audio engine provides a suite of studio-class effects and tone-shaping tools to give you just the sound you're looking for. Includes one B2 bass module for more flexibility and even greater power at the low end. Learn More

Simon & Patrick Pro Parlor - The Woodland Pro series models are comprised of all solid wood. Featuring only the highest grade of Select Pressure Tested solid spruce tops, solid mahogany back & sides. The Woodland Pro series guitars also feature a Custom Polished finish and mahogany necks which are sanded and finished by hand to provide remarkable comfort and playability up and down the rosewood fingerboard. The classic aesthetic beauty of these acoustic guitars are accentuated by the intricate wood rosette, layered binding, high-ratio tuners, Tusq bridge pins by Graphtech and the hand contoured headstocks. Learn More

The Taylor 110 Dreadnought Acoustic Guitar gives you crisp, sweet tone with great visual appeal from an ebony fretboard and detailed finish. Learn More

Our Custom Martin Size 00 42S Series is based on one of our favorite Vintage Martins. It is an ornate model with solid premium East Indian rosewood back and sides, select Sitka spruce top, Mahogany neck, gorgeous 42-Series inlays, polished gloss finish and a hand-fit dovetail neck joint. Learn More

This is a recent SCGC OM/PW with custom Short Sclae, Adirondack Brace with Hide Glue I mint condition Learn More

Our latest house customs from the Martin Custom Shop feature 18 series appointments, all premium Mahogany construction, 12-fret body and of course the 1-3/4" nut 2-1/4" saddle spacing combo you all love so much. Full specs can be found under the Product Description tab Learn More

The Eclipse: Galloup’s answer to the wonderful small body guitars of the 20′s and 30′s. Very comfortable to hold and play, the Eclipse projects a big, balanced sound. The sculpted edge on the lower body bout is a treat for your picking arm: an uncommon comfort that makes you want to play for hours. Some say this is an ideal fingerpicking guitar. Its compact size makes it perfect for sitting in your easy chair, and its big sound makes it a great professional performer, too Learn More

Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in our Orchestra models. Neck Material: Mahogany Fingerboard: Ebony Fingerboard Radius: 12" Neck Profile: Traditional Even "C" Nut: Bone Nut Width: 1.75" (44.4mm) Fretwire: 20 Jescar-FW43080 Scale Length: 24.9" Body Dimensions: 15" x 4 1/4" Bracings: Hand-carved Scalloped X Body Top: Solid Sitka Spruce Body Back/Sides: Solid Ovangkol Bridge/Saddle: Ebony/Bone, 2 5/32" Spacing Rosette: Classic Truss Rod: Dual Acting Binding: Top and Back Binding Material: Herringbone Logo: Pearl Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: White Plastic w/ Black Dots Body Top Finish: Truetone Gloss Back/Sides Finish: Truetone Gloss Hardware Color: Nickel Pickguard: Tortoise Shell Tuners: Open-Gear PingWell V93N 3+3 Electronics: Fishman Sonitone Case: Deluxe Padded Eastman Gig Bag Learn More

This is a 2003 Goodall Grand Concert featuring Special Reserve AAAA Koa back and sied, and Master Western Red Cedar top. This guitar offers a wonderful blend of clarity and balance with a rich punchy bass response and excellent sustain. While this model is considered ideal for the fingerstylist due to its responsive top, it is equally appropriate for the flatpicker or plectrum player. Learn More

Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More

Vintage 1979 Ovation Legend 1651 with original case Learn More

This Grand Concert BTO features AA Rosewood body with Cocobolo trim, Abalone Paua inlay and latest ES electronics. The nut is a 1-7/8" and the neck shape is V-carve Learn More