Search results for 'Martin Guitar Marquis Collection'

This is #22 of 50. This NAMM Show Special is inspired by an instrument of George Bauer, who was a Philadelphia luthier around 1890-1910. The SS-0041GB-17 is limited to 50 instruments and is crafted from a European spruce top with Vintage Tone System and Guatemalan rosewood back and sides. This 12-fret Grand Concert model features a dovetail neck joint with hide glue construction, grained ivoroid binding and heelcap, an ebony bridge and ebony fingerboard that is bound with grained ivoroid and inlaid with an abalone and mother-of-pearl custom snowflake and block design. This guitar will be treasured for years to come for its beautiful dynamic tones, as well as its aesthetic appearance Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar. This is a vintge 2004 model.

Full Specs are as follows:

Body type: Super Jumbo
Top wood: Sitka Spruce
Back & sides: Flame Maple
Bracing pattern: Scalloped
Body finish: Nitrocellulose lacquer
Nut width: 1 - 3/4"
Fingerboard: Rosewood
Neck wood: Maple
Scale length: 25.3
Number of frets: 20
Neck finish: Nitrocellulose lacquer
Electronics: Fishman Matrix
Headstock overlay: Ebony
Tuning machines: Gold
Bridge: Rosewood
Case: Original Hardshell case
Country of origin: United States

This guitar has no structural issues, but it does show small dings on the body, neck, and on the headstock. Neck angle is perfect, frets are good, and electronics work as they should. The case is alo in good condition, but the tolex has some wear around the edges. It is perfect inside.

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The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

This is a 2013 Taylor 414ce-FLTD, Fall Limited featuring the very desirable Rosewood/Cedar tone wood combo normally only found on the 700 series and higher models. Learn More

The Limited Edition 412ce 12-fret Grand Concert features 3-piece back of figured Ovangkol with smoky ebony mini wedge, figured Ovangkol sides, Sitka spruce top, Performance bracing with relief rout, mahogany neck with slotted peghead (24-7/8” scale length), and smoky ebony fretboard. Appointments include ebony binding, single-ring abalone rosette, 2mm pearl dot inlays, full-gloss body, Venetian cutaway, and Taylor slot head tuners with ivoroid buttons. The guitar features a limited edition label, comes with Expression System 2 electronics, and ships in a Taylor deluxe hardshell case. Learn More

This is a mint Custom Collings 01 MH VN All Mahogany 0 14-Fret. With the exception of the Baby, the 0 is the smallest guitar made by Collings, and is offered with the same shorter scale found on the 12-fret 00. Although measuring only 13.5 inches in width (smaller than a typical classical guitar), the Collings 0 has tone and volume that belies its first impression as being less than full-sized. It can double as a travel guitar, or a small OM, performing both roles equally well. Learn More

The new Taylor 220ce K DLX Cutaway Dreadnought features layered back/side construction featuring outer and inner veneers of Hawaiian Koa, solid Koa top, and sapele neck with 1-11/16” nut width. Appointments include a shaded edgeburst top, black binding, single-ring faux pearl rosette with interlocking “fishbone” pattern, black pickguard, Italian acrylic small diamond fretboard inlays, full-gloss body, and chrome tuners. The guitar comes with Expression System 2 electronics and ships in a Taylor deluxe hardshell case. Learn More

This is a 2009 Stehr 00-12 with all the bells and whistles, full specs are as follows: 00 12-Fret Body Soundboard: Sinker Redwood Back and sides: Macassar Ebony Macassar Binding, Fretboard, Headstock and Bridge: Rosette: Paua Burl Neck material: Mahogany Lower bout: 14 7/8" Upper bout: 10" Waist: 8 1/4" Depth: 4 1/8" Length of body: 19.5" Overall length: 39.25" Scale length: 25 3/8" Nut width: 1 11/16" Saddle spacing: 2 1/8" Electronics: K&K Mini Burle Fret Markers Side Soundport X Brace, Forward Shifted Carpathian Spruce Learn More

This Custom Shop OM-28 was spec'd at Winter NAMM 2014 and it features hand selected Madagascar, with Premium Adirondack top, and full hide glue constriction Learn More

1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

Vibrantly hued cocobolo makes an exotic guest appearance on this 900 Series limited edition Grand Auditorium. Instead of the Advanced Performance bracing scheme typically used with our rosewood 900 Series, we opted for Performance bracing to better complement cocobolo’s musical properties. The voicing architecture brings out extra warmth and tempers the wood’s ringing top end tendencies to create a balanced voice with an articulate response. Aesthetically, we’ve embellished the detail-rich 900 Series appointment package with an amber-brown shaded edgeburst finish treatment around the body and neck. The color gradation adds subtle depth to the cocobolo’s glowing hues and creates a visual harmony between the darker sides and the lighter Sitka spruce top. It also intensifies the rich sparkle of the abalone edge trim. Visually and tonally, this guitar exudes refined beauty Learn More

This is a custom Go Guitars Go Grande built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More