Search results for 'Martin guitar'

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

This is the completely reworked 816ce featuring lighter bracing and wood thicknesses as well as a thinner finish which all ad up to more of everything you love about these guitars. Learn More

The Robb Report showcases the simple elegance of this SCGC model as a way to 'own the extraordinary' instead of 'settle for the ordinary.' Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. See and hear The Acoustic Guitar magazine's review here: http://www.acguitar.com/article/default.aspx?articleid=24813. Learn More

The SCGC 1929/00 pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

The elongated body on our OOO 12fret model makes the guitar very comfortable to play. The extra air space inside the guitar contributes to strong reverb and thick powerful overtones. ‍ Specs: Full specs are as follows: Top: Cedar Back & sides: Quilted Mahogany Binding: Maple Length- 20 3/8" Lower Bout- 14 15/16" Upper Bout - 10 1/2" Waist - 8 15/16" Depth at Endwedge - 4 1/16" Nut width: 1 3/4" Scale length: 25" String spacing at saddle: 2 1/4" Pickup: Fishman Matrix Infinity Case: Cedar Creek hard shell case This guitar is in excellent condition with no issues to mention. Learn More

The double cutaway Starfire series was introduced in late 1963 beginning with the Starfire IV and Starfire V. The Starfire VI followed in 1964. These guitars were made to capture part of the market that was almost exclusively enjoyed by the Gibson ES series guitars. Like the Gibson ES-335, the Starfire IV has a center block of wood that runs from the neck to the tail and is glued to the top and back. This reduces feedback and increases sustain. Up through 1967 the neck was joined to the body at the 16th fret. After 1967, the neck-to-body joint was moved to the 18th fret to facilitate better access to the upper registers. Learn More

Meet your new favorite go-to hat: the Martin Custom Shop Richardson® Trucker Hat in sleek black and charcoal. With its breathable mesh back and adjustable snapback, this hat guarantees a perfect fit and ultimate airflow to keep you cool, no matter the weather. The stretch construction adds an extra level of comfort, making it adaptable for all-day wear. Whether you're out for a gig or just hanging out, this hat combines style and function, repping the Martin Custom Shop logo front and center.

Polyester mesh back & stretch construction
Adjustable snapback closure
Pre-curved bill

Item # 18NH0075 

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“Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

The result of a collaboration between Paul Reed Smith and Paul Jackson, Jr., the JA-15 was originally designed with Jazz musicians in mind. But with several new innovations, it’s no surprise rockers are loving it too. Highlights include a “pattern” neck shape, 57/08 pickups and a 2-piece adjustable bridge Learn More

800 Series Element leather guitar strap in Dark Brown with Brown trim, embossed Taylor logo, and Element motif. Made in USA. Learn More