Search results for 'Martin Guitar Standard Series'

This amazing guitar was hand built in Taylors tiny Lemon Grove shop back in 1976. It is in amazing, in fact near mint condition, a very rare find Learn More

GPC-10E This solid wood Grand Performance model is an affordable workhorse with tone for days. The acoustic-electric GPC-10E features a sapele body paired with a select hardwood neck, fingerboard, and bridge. Its body size is the perfect mix between a classic Dreadnought and 000 style guitar, giving you a versatile instrument that delivers both comfort and power, and a projective, balanced tone with added bass. Sapele is a wood that’s similar in appearance and tone to the genuine mahogany found on our higher-end models, providing a powerful midrange, great punch, and bright and airy trebles. This guitar gives you all the playability and tone of a solid wood Martin in an understated, no-frills package that’s ready to play right out of the box. Not only does the GPC-10E sound great unplugged, but the Fishman® Matrix VT Body Size GPC-14 Fret Top Material Sapele Bracing Pattern X Brace Brace Shape Scalloped Back Material Sapele Side Material Sapele Neck Material Select Hardwood Neck Shape PA Profile Fingerboard Material Select Hardwood Scale Length 25.4" Number of Frets Total 20 Fingerboard Width at Nut 1 3/4" Fingerboard Inlay Style Style 28 Dots Back and Side Finish Satin Finish Top Satin Top Color Dark Mahogany Finish Neck Hand-Rubbed Bridge Material Select Hardwood Saddle White Tusq Tuning Machines Chrome Closed Gear Pickguard None Case Softshell Electronics Matrix VT Enhance Left Handed Availability Yes Recommended Strings Authentic Acoustic Lifespan 2.0 – Light MA540T Enhance electronics give you the option to plug in at home, on stage, and in the studio with onboard volume, tone, and Blend Controls Learn More

With the seventh offering from our Builder's Reserve program, we fully indulge mahogany's appealing musical character with an all-mahogany 12-Fret coupled with Taylor's first-ever all-mahogany ukulele. Incorporating mahogany tops brings out the fullness of mahogany's voice, blending a punchy attack with plenty of tonal warmth. Learn More

This is a Webber Rosewood Spruce 000 12-Fret with slotted headstock in excellent condition Learn More

From the Martin Custom Shop, this is our latest house custom, the "42KS" features premium Koa constriction with gorgeous 42 style Abalone inlays and 12-fret body. Easy to play, easy on the eyes and it sounds even better than it looks. Learn More

In response to customer requests for a smaller instrument with the voice of a larger guitar, James Goodall introduced their Parlor series back in 1999. Although this guitar is called a Parlor, it is in fact a 00 14-fret Concert size instrument with tons of power, and projection. Learn More

This is a custom Santa Cruz OM featuring AA Rosewood back and sides with premium Spruce soundboard with age toner. Learn More

Laplante Guitars Feather I Excellent with case Learn More

This Grand Auditorium BTO shares many of the features of the standard 814ce but we added some worthwhile upgrades like Gotoh tuners, bone nut and saddle, and Adirondack bracing for greater headroom. We also replaced the Maple binding and abalone rosette with less flashy Ebony Learn More

Based on some of our favorite pre-war Martins this full custom Size 2 Parlor features premium Genuine Mahogany and hand cut dovetail neck construction. Full specs are as follows: CONSTRUCTION: Standard; Mahogany Blocks/Dovetail Neck Joint BODY SIZE: Size 2 TOP: Solid Genuine Mahogany (2 piece) TOP GRADE: 3 TOP BRACES: Sitka / Scalloped 1/4'' / Standard PATTERN: Size 2 - X-Brace TOP BINDING: None TOP INLAY: None TOP PEARL: None ADDITIONAL TOP INLAY: None ROSETTE: Single Ring PEARL INLAY: None ADDITIONAL ROS. INLAY: .015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber PICKGUARD: NONE PEARL INLAY: None BACK: Genuine Mahogany BACK PANELS: 2 PURFLING: None CENTER STRIP/LOC. STAMP: Sitka Standard (C.F. Martin & Co. Nazareth, PA Btwn 1st & 2nd Brace) CAUTION STAMP: None BACK BRACES: Sitka Spruce BACK BINDING: None BACK INLAY: None BACK PEARL: None ADDITIONAL BACK INLAY: None SIDES: Genuine Mahogany SIDE INLAY: None SIDE PEARL: None ADDITIONAL SIDE INLAY: None SIDE STRIPS: None ENDPIECE: None ENDPIECE INLAY: None ENDPIECE PEARL: None BLOCK: Mahogany TAG/PLATE: None REAR: Size 2 Mahogany FRONT: Size 2 Adjustable Mahogany Line 1: C. F. Martin Logo Line 2: Custom Shop Logo Line 3: Serial # Line 4: Line 5: NECK: Genuine Mahogany- 12/4 NECK SHAPE: Mod Low Oval HEADSTOCK: Slotted / Do Not Square Slot Corners / 6 String / No Diamond BACK/HEAD STAMP: None TRUSS ROD: 2-Way Adjustable 335mm HEELCAP: None NUT: Bone ON ANGLE/FLAT: Flat HEADPLATE: Solid East Indian Rosewood HEADPLATE DECAL: Small Old Style HEADPLATE BIND: None HEADPLATE INLAY: None HEADPLATE PEARL: None ADDITIONAL HP INLAY: None TUNING MACHINES: GoldenAge2508-Relic Nickel,SideMnt,3OnPlate,EngrvdIvrdBtn(Drill in MR)-"C" Drill FINGERBOARD: East Indian Rosewood RADIUS: 16'' SCALE LENGTH: 24.84 (24.9) WIDTH AT NUT: 1 3/4'' (1.750) WIDTH AT 12 FRET: 2 1/4'' (2.250) FRET WIRE: German G300,Notched 1 3/4 FRETS CLEAR: 12 TOTAL FRETS: 18 FINGERBOARD BIND: None FINGERBOARD INLAY: None PEARL INLAY: Diamond & Squares - Short Pattern (Select Abalone) (GE) ADDITIONAL FB INLAY: None SIDE DOTS: Yellow ABS SIDE DOT POSITION: One at 3rd, 5th, 7th, 9th, Single at 12th, One at 15th & 17th Frets FINISH TYPE: Satin Finish FINISH BODY: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain / Rosewood Filler FINISH TOP: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain/Rosewood Filler FINISH NECK: CCraft Cat Modified 15 Sheen Satin/Universal Dark Mahog Stain/Rosewood Filler BRIDGE: East Indian Rosewood STYLE: Straightline w/ Drop-In Saddle PEARL INLAY: None ADDITIONAL BR INLAY: None STRING SPACING: 2 1/4'' (2.250) SADDLE: SL,Compensated,Bone,16R,#5 ELECTRONICS: Optional STRAP BUTTON: None STRINGS: MSP 4100 Light Phosphor Bronze BRIDGE PINS: Black Ebony END PIN: Black Ebony Learn More

Music and craftsmanship are a big part of Luthier Bill Wise's heritage. His father and grandfather were excellent craftsmen and mechanical designers. Artistry and musical talent are matched on his mother's side as well. In 1996, while searching for a new guitar to satisfy his desire for a high quality finger-style instrument, those who know of Bill's talent and ability suggested he build his own. After stringing up his first instrument and hearing the clarity and beauty of its sound, he decided lutherie must become a full time pursuit, Charis Acoustic was born! Learn More