Search results for 'Martin Guitar Special Editions'

Martin® Authentic Acoustic® Superior Performance SP® strings feature higher tensile strength and tin-plated core wire on all six strings that enable a fuller and more balanced tone, quicker response and increased tuning stability. Our impeccable standards for acoustic guitar tone are embedded in our string design and precision manufacturing process. That's why we make our own. Model MA150 3 Sets: Authentic SP Medium 80/20 Bronze ONE SET (6) INCH MM E - 1 .013 0.33 B - 2 .017 0.43 G - 3 .026 0.66 D - 4 .035 0.89 A - 5 .045 1.14 E - 6 .056 1.42 Total Set Tension - 189.6 lbs Learn More

Rosewood Spruce 12-Frea 00 made in 1975 Learn More

This is a Composite Acoustics OX RAW ELE which is an OM/000 size acoustic guitar featuring all carbon fiber construction. The RAW finish leaves the polished soundboard exposed allowing it to resonate more freely and the matte black finish on the back will need little care making this the perfect take anywhere guitar. This guitar was one of the last ones built by Composite Acoustics before they closed March of 2010. In addition to the original LR Baggs Element pickup this one has been fitted with a K&K Trinity (does not come with the external preamp) which is better suited for intimate settings and for recording Learn More

This is a custom Tele built by master luthier Allan Tomkins out of Australia. Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

This is an McPherson 4.5 Custom Shop Rosewood / Sitka Spruce with LR Baggs electronics. Learn More

The Robb Report showcases the simple elegance of this SCGC model as a way to 'own the extraordinary' instead of 'settle for the ordinary.' Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. See and hear The Acoustic Guitar magazine's review here: http://www.acguitar.com/article/default.aspx?articleid=24813. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

This is a 1980 Gurian 3H-S3R. Gurian Guitars was a manufacturer of high quality acoustic guitars based in New York City, then Hinsdale, New Hampshire and finally West Swanzey, New Hampshire, from the 1960s to 1981. The guitars were designed by luthier Michael Gurian who also supervised production. The company was one of the earliest "boutique" guitar brands in the United States, offering an alternative product to those of the larger, factory-based makers of the day, with instruments characterized by a distinctive shape, features and sound. The S3R is a mid-sized instrument with plenty of power, brilliance and sustain. This size is quite versatile, an excellent choice for solo or accompaniment. The Size 3 model has become a favorite for recording work thanks to it's balanced tone. The 3H was a higher grade version of the standard S3R featuring 3-piece back, herringbone inlay on the top, back and sides gold plated Schaller tuners. Specs are as follows: Top Wood: Sitka spruce Back and sides: East Indian Rosewood Binding: Maple Rosette: Herrinbone OAL Length: 41" Body length: 19.5" Upper bout: 12" Waist: 10.5" Lower bout: 15.25" Maximum depth: 4" Scale: 25.7" Nut width: 1 19/32" Saddle Spacing: 2.25" Electronics: K&K Mini Condition is excellent with a few handling marks here and there but no issues to mention. Comes with Cedar Creek case shown. Learn More