Search results for 'Martin Guitar Ukulele'

Taylor Compact Folding Guitar Stand This easy-to-transport guitar stand folds down to a compact size and fits into the pocket of most gig bags so there's no need to leave your guitar in a precarious situation. This stand sets up in seconds and holds any size guitar, making it a convenient option for gigs, rehearsals or any other place you want to rest your guitar. Taylor Model #1403 

Easy-to-transport and collapse guitar stand Fits into the pocket of your gig bag Sets up in seconds, and holds any size acoustic guitar Convenient for any gig, rehearsal or any other place to leave your guitar Learn More

Built to our specs using wood sets we hand picked at the Martin factory, this Martin Custom Shop OM-42 features select Madagascar back and sides, top shelf Adirondack soundboard, and complete Hide Glue construction assuring you get the most resonant guitar Martin can build. We were able to lock in to some Madagascar sets before last years price hike which means you not only get an amazing guitar but you get it at amazing price. Learn More

Taylors special celebration of amplified acoustic tone continues this quarter with the Builder's Reserve V Series, unveiling the latest in boutique-level Taylor craftsmanship with an ultra-limited guitar/amp pairing. Learn More

Taylor 516E-LTD Fall Limited Grand Symphony (GS) figured Mahogany back and sides, European spruce top, Adirondack CV bracing, figured Mahogany top edge trim, figured Mahogany and Boxwood rosette, Boxwood fretboard inlay, rosewood binding (body, soundhole, fretboard and peghead), rosewood heel cap, boxwood peghead logo, Gotoh gold tuners, bone nut and saddle, gloss-finish body, and Expression System electronics Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

The Robb Report showcases the simple elegance of this SCGC model as a way to 'own the extraordinary' instead of 'settle for the ordinary.' Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. See and hear The Acoustic Guitar magazine's review here: http://www.acguitar.com/article/default.aspx?articleid=24813. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

This is a 1980 Gurian 3H-S3R. Gurian Guitars was a manufacturer of high quality acoustic guitars based in New York City, then Hinsdale, New Hampshire and finally West Swanzey, New Hampshire, from the 1960s to 1981. The guitars were designed by luthier Michael Gurian who also supervised production. The company was one of the earliest "boutique" guitar brands in the United States, offering an alternative product to those of the larger, factory-based makers of the day, with instruments characterized by a distinctive shape, features and sound. The S3R is a mid-sized instrument with plenty of power, brilliance and sustain. This size is quite versatile, an excellent choice for solo or accompaniment. The Size 3 model has become a favorite for recording work thanks to it's balanced tone. The 3H was a higher grade version of the standard S3R featuring 3-piece back, herringbone inlay on the top, back and sides gold plated Schaller tuners. Specs are as follows: Top Wood: Sitka spruce Back and sides: East Indian Rosewood Binding: Maple Rosette: Herrinbone OAL Length: 41" Body length: 19.5" Upper bout: 12" Waist: 10.5" Lower bout: 15.25" Maximum depth: 4" Scale: 25.7" Nut width: 1 19/32" Saddle Spacing: 2.25" Electronics: K&K Mini Condition is excellent with a few handling marks here and there but no issues to mention. Comes with Cedar Creek case shown. Learn More

The double cutaway Starfire series was introduced in late 1963 beginning with the Starfire IV and Starfire V. The Starfire VI followed in 1964. These guitars were made to capture part of the market that was almost exclusively enjoyed by the Gibson ES series guitars. Like the Gibson ES-335, the Starfire IV has a center block of wood that runs from the neck to the tail and is glued to the top and back. This reduces feedback and increases sustain. Up through 1967 the neck was joined to the body at the 16th fret. After 1967, the neck-to-body joint was moved to the 18th fret to facilitate better access to the upper registers. Learn More