Search results for 'The Taylor Pallet Guitar'

The sound hole is the determining factor for the tone of your mandolin. F-Holes are known for a tight treble attack and a percussive chop ideal for loud ensemble settings. Oval-Hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras and Celtic/folk music. Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

The Antonio Aparicio AA-30 is the next level up from the AA20 for the intermediate student. This guitar is the first in the Aparicio line to have rosewood sides and back. Options for the top are either cedar or spruce (cedar featured here). It has an ebony fingerboard and gold plated tuners. Projection is strong enough for the recital stage. Scale length: 650mm. Width at nut: 52 mm Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Pre Owned Adamas 1597 by Ovation 6-String Acoustic Electric Cutaway With Case Learn More

Based on some of our favorite vintage Martins, this gorgeous 00 12-Fret featuring 1-3/4" nut, short scale, modified low oval neck, and dovetail neck construction. Has the vintage tone and feel we love, with the playabilty we've learned to expect from modern guitars. Full specs are as follows: Model: CS-00-18S Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 00-12 Fret Top: Solid Sitka Spruce Rosette: Old Style 18 Top Bracing Pattern: X 12-Fret Top Braces: Scalloped Solid Sitka Spruce 1/4'' Back Material: Solid Genuine Mahogany Back Purfling: Style 18 Side Material: Solid Genuine Mahogany Endpiece: Tortoise Brown Endpiece Inlay: none Binding: Tortoise Brown Top Inlay Style: Multiple Black/White Boltaron Side Inlay: none Back Inlay: none Neck Material: Genuine Mahogany Neck Shape: Modified Low Oval Headstock: Slotted/Square Headplate: Solid East Indian Rosewood Fingerboard Material: Solid Black Ebony Scale Length: 24.9'' Number of Frets Clear: 12 Number of Frets Total: 20 Fingerboard Width at Nut: 1-3/4'' Fingerboard Width at 12th Fret: 2-1/4'' Fingerboard Position Inlays: Old Style 18 - Green Abalone Finish Back & Sides: Non Catalyzed Gloss Finish Top: Non Catalyzed Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Black Ebony Bridge Style: 1930 Style Belly w/ Drop-In Saddle Bridge String Spacing: 2-1/4'' Saddle: 16'' Radius/Compensated/Bone Tuning Machines: Grover Sta Tite 18:1 Black Pickguard: Delmar Tortoise Color Case: Martin Hardshell Learn More

This is a recent McPherson MG 3.5 featuring amazing AA Rosewood back and sides and select Spruce top Learn More

Martin has been making tenor-sized ukuleles since 1929, but nothing quite like this. An ultra-thin finish creates a beautifully weathered appearance that feels as if it’s an old friend you’ve been playing for years. The top, back and sides are all mahogany, making it lightweight with a bright tone. If you play guitar and want to learn the uke, this size makes for a comfortable transition, and it's great for both a child and full-grown adult. The T1 StreetMaster® brings together premier sound, outstanding playability, and easy affordability in one gorgeous instrument. Full specs are as follows: Body Size: Tenor Ukulele Finish Top: Satin Back and Side Finish: Satin Bracing Pattern: Tenor Ukulele Scale Length: 17" Brace Shape: Non-Scalloped Fingerboard Width at Nut: 1 11/32'' Top Material: Mahogany Neck Shape: Tenor Ukulele Back Material: Mahogany Neck Taper: Standard Taper Side Material: Mahogany Electronics: Not Available Recommended Strings: Ukulele Tenor M620 Learn More

This handsome limited edition Grand Auditorium showcases a back and sides of blackheart sassafras, whose dramatic color variegation makes each set of wood truly one-of-a-kind. The tone profile of sassafras blends the clarity and woodiness of mahogany with extra midrange and top-end overtones, while the Sitka spruce soundboard yields extra sonic headroom and fullness thanks to Adirondack spruce bracing. Together with our versatile Grand Auditorium body, this beauty will handle a diverse range of playing styles. Unique details include a sharp Florentine cutaway and premium appointments: rosewood Capstone fretboard inlays outlined in mother-of-pearl, a rosewood/mother-of-pearl rosette, rosewood binding with curly maple top edge trim, a rosewood back strip, and Gotoh Gold tuners, with Taylor’s award-winning Expression System® 2 electronics for rich amplified tone. The model features a limited edition guitar label and ships in a Taylor deluxe hardshell case Learn More

Inspiration can strike at any time in any place, that’s why having a travel guitar by your side is necessary for beginners to virtuosos. The smaller body and scale allow for a portable instrument that always lends itself to easy travel. Learn More

Breedlove’s Passport Parlors are incredibly balanced with an abundance of sound, volume, and projection from a solid Sitka spruce top and mahogany back and sides. You’ll be amazed at the amount of sound provided by such a small body, or if you’re plugged in, through the Fishman ISYS+ USB. Whether you’re at home or in the studio, the Breedlove Passport Parlor is an intimate experience that connects you to your music in a visceral, inspiring way. Learn More