Search results for 'taylor gs mini'

This is a McPerson MG-4.5 with Redwood top, and Rosewood back and sides. This is a plyers guitar with some dings, pick marks, and capo dents on the neck, but it plays and sounds amazing Learn More

Inspiration can strike at any time in any place, that’s why having a travel guitar by your side is necessary for beginners to virtuosos. The smaller body and scale allow for a portable instrument that always lends itself to easy travel. Learn More

A Grand Concert addition to the 17 Series, this model features a beautiful satin black smoke finish with contrasting grained ivoroid binding. Despite its small size, this guitar projects and resonates beautifully. The model is constructed with a Sitka spruce top, mahogany back and sides, and a rosewood fingerboard and bridge Learn More

One of only a handful ever made, the Pallet guitar by Bob Taylor was originally conceived to prove to the world that a great guitar builder can build an outstanding instrument regardless of the wood used. To prove this, Bob Taylor went to the back of the Taylor factory and proceeded to tear apart a few of the shipping pallets on the ground, and built himself a guitar using the weathered oak, and pine (or whatever the soft wood is on pallets) that these things are made of. Learn More

C5 Capo fits Banjo's (also fits most mandolins and bouzoukis - flat fretboard) Learn More

Limited to no more than 35 gorgeous instruments, this 2016 Anaheim NAMM Show Special guitar is a beautiful addition to any collection. The SS-OMVine-16 is crafted from figured English walnut and inlaid with aluminum in a stunning vine motif. Absent from this model is a standard pickguard; it has been replaced by an elegant aluminum inlay of the engraved vine design. The SS-OMVine-16 also features a black ebony headplate, fingerboard and bridge Learn More

Note that this guitar is the actual one listed on the Eastman Guitars website! “Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More

This is a full custom version of Taylors new Grand Orchestra model featuring AA Figured Maple back and sides and Premium Adirondack soundboard with Adirondack braces, Ebony armrest and the latest ES electronics. This guitar has everything you need and nothing you don't Learn More

Eastman's first solid body guitar… with Eastman’s signature written all over it. The SB59/v has the look, feel, and tone, of a 58-year-old guitar. We also offer a gloss version finished in nitro cellulose. Solid body models feature a hand-carved solid flamed maple top, on a solid mahogany body. The Gotoh hardware and Seymour Duncan Antiquity humbuckers on the SB59/v and Seymour Duncan ’59 humbuckers on the SB59 complete one of our hardest rocking instruments to date. Learn More

This is a pre Pantheon JR-A (JOM) featuring AA Rosewood and Spruce with rich black Ebony fretboard and bridge. Learn More