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Flamed Mahogany unique figure adds a natural aesthetic flair to this limited edition cutaway Grand Auditorium. Mahogany's clear tone with the Sitka spruce top’s premium Adirondack spruce CV bracing bolsters the volume and sonic fullness across the tonal spectrum. Other premium features include a dramatic Florentine cutaway, a new rosewood/mother-of-pearl Capstone fretboard inlay, single ring rosewood/mother-of-pearl rosette, rosewood binding with curly maple top edge trim, rosewood back strip, and Gotoh Gold tuners, with Taylor’s natural-sounding Expression System® 2 electronics for rich amplified tone. The guitar features a limited edition guitar label and ships in a Taylor deluxe hardshell case Learn More

The T486B is a full-size 16" thinline featuring Laminate Top, back and sides and Seymour Duncan Phat Pickups. Full specs are as follows: Neck Material:Maple Fingerboard:Ebony Fingerboard Radius:12" Nut Material:Bone Nut Width:1-3/4" 1st Fret String Height:.022" 12th Fret String Height:Bass .078" & Treble .062" Fretwire:22-Jescar FW47104 Scale Length:24.75" Body Style:16" Thinline Body Dimensions:16" X 1-3/4" Body Top:Deluxe Flamed Maple Laminate Body Back/Sides:Deluxe Flamed Maple Laminate F-Holes:Yes F-Hole Binding Material:Ivoroid Cutaway:Yes, Double Head Cap Veneer Material:Ebony Truss Rod:Single Acting Headstock Style:AR Binding Material:Ivoroid Logo Material:Pearl Inlay:Split Block Parallelogram Inlay Material:Pearl Finish:Gloss Finish Hardware Color:Nickel Pickguard:Yes Pickguard Material:5-ply Plastic Pickguard Binding:None Tailpiece:Bigsby Licensed Vibrato B70 Bridge:Gotoh Tuneomatic GE103B-T-N Tuners:PingWell RM-1239NV Knobs:Black Top Hats Neck Pickup:Seymour Duncan Phat Cat Neck Bridge Pickup:Seymour Duncan Phat Cat Bridge Controls:2 Volume, 2 Tone 3 Way Switch:Göldo EL002 Truss Rod Cover:Ebony Strings:D'Addario NYXL .010 - .046 Tuning:E A D G B e Learn More

Breedlove’s Passport Parlors are incredibly balanced with an abundance of sound, volume, and projection from a solid Sitka spruce top and mahogany back and sides. You’ll be amazed at the amount of sound provided by such a small body, or if you’re plugged in, through the Fishman ISYS+ USB. Whether you’re at home or in the studio, the Breedlove Passport Parlor is an intimate experience that connects you to your music in a visceral, inspiring way. Learn More

This carbon masterpiece packs the best of McPherson engineering into a road-worthy all-star. It’s a rugged performer that stands up to the most demanding musician’s needs. Learn More

2006 Fender American Stratocaster in excellent condition with case, and "case candy" Learn More

All Eastman Guitars and Mandolins are built in their workshops in Beijing by their expert team of luthiers and crafts people. Eastman MDO305E-SB Sunburst Octave Mandolin Full Specs: Neck Material: Maple Fingerboard: Ebony Fingerboard Radius: 12" Nut: 1 3/8" Fretwire: 23 Jescar FW37053 Scale Length: 21" Body Style: A-style w/ S-Holes Body Dimensions: 12" x 15 5/8" x 1 27/32" Body Top: Solid Spruce Body Back/Sides: Solid Maple Truss Rod: Single Acting Binding: Top Binding Material: Ivoroid Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: Black Finish: Satin Finish Hardware Color: Nickel Tailpiece: Stamped Chrome Brass Bridge: Ebony Nut Height: 0.018" Tuners: Quality Geared Tuners Strap Peg: Ebony Strings: D'Addario J80 Action Height: 5/64" Bass - 3/64" treble  Case: Padded Eastman Gig Bag Learn More

A premium upgrade to Taylor’s popular Grand Auditorium ovangkol/spruce 414ce substitutes much rarer Engelmann spruce in place of Sitka. Engelmann’s appealing tonal properties yield a mature, played-in sound right out of the case, with a slightly richer midrange than Sitka. Together with the rosewood-like tonal range of ovangkol and Taylor’s Performance bracing, players will love the overall volume, warmth and sustain, with signature Taylor balance and clarity across the entire tonal spectrum. A shaded edgeburst adds another unique touch, wrapping the entire body in warm, neo-vintage character. Other featured details include Italian acrylic dot fretboard inlays, white binding, a full-gloss body, Taylor nickel tuners, a Venetian cutaway, and Taylor’s Expression System® 2 electronics. The guitar features a Special Edition label inside and ships with a Taylor deluxe hardshell case. Learn More

We based this Custom Shop Martin on the discontinued Vintage series 0-28VS and we've been ordering it for LA Guitar Sales ever since that model was dropped. We changed the neck to modified low oval with 1-3/4" nut and 2-1/4" saddle spacing which translates to a more versatile and more playable acoustic for most folks. That along with premium woods throughout, Waverly tuners and a nice light construction mean this guitar looks and sounds as good as it plays. Learn More

This is a 1993 Fort Bragg Goodall WJC-12 12-String Jumbo featuring gorgeous figured Walnut back and sides, select Engelmann Speuce top, and active under saddle electronics. Learn More

This is a 1994 Wolfgang Teller Model 746 featuring gorgeous Maple back and sides, book matched German Spruce soundboard and Mahogany neck Learn More

The Eastman E10OOSS/V Varnish Antiqe Classic Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. features all solid construction with Mahogany back and sides, Adirondack Spruce top, and dovetail neck construction with 14-frets free of the body, and hand done varnish finish Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More