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The Eastman E10OOSS/V Varnish Antiqe Classic Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. features all solid construction with Mahogany back and sides, Adirondack Spruce top, and dovetail neck construction with 14-frets free of the body, and hand done varnish finish Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

Reminiscent of the 70s, this intricately woven strap adds a touch of nostalgia to your Martin. Learn More

The Gibson Custom Shop has re-created the guitar that Peter Frampton played on his multiplatinum live album from 1976. Distinctive features include a mahogany back with weight-relief chambers, the Peter Frampton custom slim neck profile, and three Gibson humbuckers: '57 Classic (neck), '57 Classic Plus (middle), and 500T (bridge). The 3-way pickup selector is wired so the middle pickup is always on (with its own volume and tone) and can be combined with the front or rear pickups. Top-level Les Paul Custom features include the ebony finish, 22-fret Richlite fingerboard with pearl block inlays, single-ply white binding on top and back, kidney bean tuners,and gold hardware. Includes case. Learn More

This is one of the original 500 Brazilian Rosewood Martin 000-28ECB Eric Clapton Signature models built in 2002. This one is #90 of 500 made, and it features exceptional Brazilian Rosewood back and sides. Full specs are as follows: Martin 000-28ECB Eic Clapton Limited Brazilian Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 000-14 Fret Top: Solid Sitka Spruce Rosette: Fine Herringbone Top Bracing Pattern: Standard "X" Scalloped Top Braces: Solid Sitka Spruce 5/16" Back Material: Solid Brazilian Rosewood Back Purfling: HD Zig-Zag Side Material: Solid Brazilian Rosewood Endpiece: Grained Ivoroid Endpiece Inlay: Black/White Boltaron Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Side Inlay: None Back Inlay: Black/White Boltaron Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Solid/Diamond?SquareTaper Headplate: Solid Brazilian Rosewood/Large Old Style Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 24.9" Number of Frets: 20 Fingerboard Width at Nut: 1-3/4" Fingerboard Width at 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamonds & Squares - Long PatternFingerboard Binding: None Finish Back & Sides: Polished Gloss Finish Top: Polished Gloss w/ Vintage Toner Finish Neck: Polished Gloss Bridge Material: Solid Black Ebony Bridge Style: Belly Bridge String Spacing: 2-1/4" Saddle: 16" Radius/Compensated/Bone Tuning Machines: Gotoh Nickel Open-Geared w/ Butterbean Knobs Recommended Strings: Martin Light Phosphor Bronze (MEC12) Bridge & End Pins: White w/Black Dots Pickguard: Tortoise Color - Beveled & Polished Case: Original Martin Case Interior Label: CFM IV & Eric Clapton Pre-Printed Signatures Learn More

A distinctive three-piece back and antique white binding around the fingerboard set it apart. Expressive quarter-inch straight bracing gives it balance and power for any situation. Premium East Indian rosewood, Sitka spruce, and a timeless Dreadnought shape have made it the choice for pickers, strummers, and players from Johnny Cash to Seth Avett. Learn More

This is a 1999 Taylor 714ce featuring gorgeous Rosewood back and sides, select Cedar top and Fishman electronics. Learn More

This sloped shoulder model features a gorgeous whiskey sunset burst finish on a solid Sitka spruce top. Mahogany back and sides are bound in grained ivoroid, a modern straightline rosewood bridge and a modified low oval neck with Performing Artist taper are combined to make this guitar not only fast and easy to play but also something you will be proud to own for years to come Learn More

Martin CSN20 Custom Shop Nylon Winer NAMM exclusive Learn More

This is a vintage 1979, "white label" Kamaka all Koa Soprano Ukulele with original case in excellent condition. Learn More

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More