Search results for '12 fret'

Our Custom Martin Size 00 42S Series is based on one of our favorite Vintage Martins. It is an ornate model with solid premium East Indian rosewood back and sides, select Sitka spruce top, Mahogany neck, gorgeous 42-Series inlays, polished gloss finish and a hand-fit dovetail neck joint. Learn More

This is a McPerson MG-4.5 with Redwood top, and Rosewood back and sides. This is a plyers guitar with some dings, pick marks, and capo dents on the neck, but it plays and sounds amazing Learn More

Our latest house customs from the Martin Custom Shop feature 18 series appointments, all premium Mahogany construction and of course the 1-3/4" nut 2-1/4" saddle spacing combo. Full specs can be found under the Product Description tab Learn More

This is a 2005 Taylor 614ce featuring amazing figured Maple back and ides with tight grain Spruce top and upgraded at the factory to the latest 9 volt ES electronics Learn More

“Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

The double cutaway Starfire series was introduced in late 1963 beginning with the Starfire IV and Starfire V. The Starfire VI followed in 1964. These guitars were made to capture part of the market that was almost exclusively enjoyed by the Gibson ES series guitars. Like the Gibson ES-335, the Starfire IV has a center block of wood that runs from the neck to the tail and is glued to the top and back. This reduces feedback and increases sustain. Up through 1967 the neck was joined to the body at the 16th fret. After 1967, the neck-to-body joint was moved to the 18th fret to facilitate better access to the upper registers. Learn More

New for 2015, the 600 series guitars will feature figured maple back and sides, torrefied Sitka spruce top, hard rock maple neck, 600 Series Advanced Performance bracing with protein glue..... Learn More

This BTO was inspired by our love for the simple pre war guitars of days gone by so we chose satin finished Mahogany for the back and sides and for the soundboard but dressed it up with Rosewood binding and Ebony fretboard and bridge. We left the fretboard markers off for a clean look and had the Taylor custom shop set it up with bone nut and saddle Learn More

A compact 14” thinline with the soul of a full-body archtop. Carved Maple Top, Carved Mahogany back and sides with remarkable versatility for jazz, blues and rock. Lollar Custom Wound Imperial Humbucker Pickups. Learn More

This Grand Concert BTO featuring amazing Cocobolo back and sides with select Engelmann soundboard and Adirondack CV bracing Learn More

The original clip-on music light! Learn More