Search results for 'Martin Guitar Custom Signature Editions'

Fans of traditional or modern jazz will feel right at home with our handcrafted take on archtop guitars. We’ve brought classic designs to life and into the hands of legendary players like John Pisano and Frank Vignola. Eastman offers three different construction options with three different sounds and functionalities. Learn More

Taylor Guitars made a limited edition of its popular acoustic GS Mini series with tops of Engelmann spruce harvested at Holden Village, and layered Maple for back and sides. Proceeds from guitar sales went to clean water projects in third-world countries under the direction of two nonprofit organizations. Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Neck Material: Maple Fingerboard: Ovangkol Fingerboard Radius: 12" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Fretwire: 22 Jescar-FW43080 Scale Length: 25.4" Body Dimensions: 16" x 4 1/4" Bracings: X-Braced Body Top: Solid Sitka Spruce Body Back/Sides: Laminated Maple Bridge/Saddle: Ovangkol/Bone, 2 5/32" Spacing Rosette: Abalone Truss Rod: Dual Acting Binding: Top and Back Binding Material: Black Plastic Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: White Plastic w/black dots Body Top Finish: Truetone Gloss Back/Sides Finish: Truetone Gloss Hardware Color: Nickel Pickguard: Optional Plack Teardrop Tuners: PingWell RM 1171-CVR 3+3 Electronics: Eastman Pickup by Fishman Strings: D'Addario .012-.053 #EXP16  Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

Martin® Authentic Acoustic® Superior Performance SP® strings feature higher tensile strength and tin-plated core wire on all six strings that enable a fuller and more balanced tone, quicker response and increased tuning stability. Our impeccable standards for acoustic guitar tone are embedded in our string design and precision manufacturing process. That's why we make our own. Model MA150 3 Sets: Authentic SP Medium 80/20 Bronze ONE SET (6) INCH MM E - 1 .013 0.33 B - 2 .017 0.43 G - 3 .026 0.66 D - 4 .035 0.89 A - 5 .045 1.14 E - 6 .056 1.42 Total Set Tension - 189.6 lbs Learn More

The Robb Report showcases the simple elegance of this SCGC model as a way to 'own the extraordinary' instead of 'settle for the ordinary.' Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. See and hear The Acoustic Guitar magazine's review here: http://www.acguitar.com/article/default.aspx?articleid=24813. Learn More

This is a 2010 Pre-Peavey Composite Acoustics Cargo in the RAW finish Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

The Premier Auditorium Copper brings the same playing and sound dynamics as the Premier Concert Copper, but with a more pronounced presence. The larger body moves more air and as a result creates a larger sound. For ensembles the auditorium holds its own while still delivering the beautiful to the ear rich blossoming notes. The larger lower bout invites a fuller bass response, working efficiently with the rosewood back. The Premier Auditorium Copper is a magnificent ensemble guitar. Learn More

The double cutaway Starfire series was introduced in late 1963 beginning with the Starfire IV and Starfire V. The Starfire VI followed in 1964. These guitars were made to capture part of the market that was almost exclusively enjoyed by the Gibson ES series guitars. Like the Gibson ES-335, the Starfire IV has a center block of wood that runs from the neck to the tail and is glued to the top and back. This reduces feedback and increases sustain. Up through 1967 the neck was joined to the body at the 16th fret. After 1967, the neck-to-body joint was moved to the 18th fret to facilitate better access to the upper registers. Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More