Search results for 'gs mini'

Froggy Bottom Model M was Born of requests for a grand concert version of the popular full-sized K guitar, Froggy Bottom M guitars sing with a balanced voice that has repeatedly been characterized as having great clarity and sparkle. Even when played with great delicacy, the Froggy M speaks clearly and beautifully. Its tight waist and full, rounded lower bout make it a pleasure to have in your lap Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More

Our latest house customs from the Martin Custom Shop feature 18 series appointments, all premium Mahogany construction and of course the 1-3/4" nut 2-1/4" saddle spacing combo. Full specs can be found under the Product Description tab Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar. This is a vintge 2004 model.

Full Specs are as follows:

Body type: Super Jumbo
Top wood: Sitka Spruce
Back & sides: Flame Maple
Bracing pattern: Scalloped
Body finish: Nitrocellulose lacquer
Nut width: 1 - 3/4"
Fingerboard: Rosewood
Neck wood: Maple
Scale length: 25.3
Number of frets: 20
Neck finish: Nitrocellulose lacquer
Electronics: Fishman Matrix
Headstock overlay: Ebony
Tuning machines: Gold
Bridge: Rosewood
Case: Original Hardshell case
Country of origin: United States

This guitar has no structural issues, but it does show small dings on the body, neck, and on the headstock. Neck angle is perfect, frets are good, and electronics work as they should. The case is alo in good condition, but the tolex has some wear around the edges. It is perfect inside.

Learn More

The Taylor V-Cable™ puts volume control at your fingertips anytime you plug in a guitar, bass, keyboard or other musical instrument that has a pickup but lacks active controls. Learn More

This amazing Custom12-Fret Nylon String features handpicked Macassar Ebony back & sides, Premium Cedar top, Flamed Koa binding and ESN Electronics. Learn More

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

While the Little Martin is our smallest guitar, it is very big on tone, quality and versatility. The LX1E acoustic electric model features a solid Sitka spruce top, mahogany high-pressure laminate (HPL) back and sides, and a warm satin finish. It’s ideal for travel, student practice or for just playing around the house or campfire. This model includes SUSTAINABLE WOOD CERTIFIED parts. Learn More

Like the 200 Series, the sapele 100 Series incorporates laminate back and sides, which offer extra resilience to fluctuating climate conditions, and a slightly narrower 1 11/16-inch neck. Learn More

Martin’s next generation Lifespan 2.0 strings are engineered using a new, patented technology only available from Martin. This technology was developed to protect the core wire and the wrap wire to prevent corrosion without compromising tone. Authentic Acoustic Lifespan 2.0 strings look better, sound better, and feel better, providing a smooth playing experience that reduces finger drag. Martin Authentic Acoustic Lifespan® 2.0 strings offer next generation treatment for long life, great playability and feel, and superior reliability with authentic tone. Model MA175T: Authentic Treated Light 80/20 .011-.052 Gage: Light
, E: .011, B: .015
, G: .023
, D: .032,
 A: .042, 
E: .052 Tension: 153.7 Learn More

Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. Learn More