Search results for 'Martin Guitar 17 Series'

Epiphone Les Paul Standard PlusTop Translucent Blue - Epiphone's history with legendary guitarist and innovator Les Paul dates back to the early 1940's when Les, working late at night at the Epiphone factory on 14th St. in New York City, created what might have been the world's first solidbody electric guitar, better known as "The Log." Over the years, Les continued to work closely with Epiphone luthiers reviewing new product ideas and offering suggestions. “Epiphone always made a good guitar,” Les liked to say. Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Neck Material: Maple Fingerboard: Ovangkol Fingerboard Radius: 12" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Fretwire: 22 Jescar-FW43080 Scale Length: 25.4" Body Dimensions: 16" x 4 1/4" Bracings: X-Braced Body Top: Solid Sitka Spruce Body Back/Sides: Laminated Maple Bridge/Saddle: Ovangkol/Bone, 2 5/32" Spacing Rosette: Abalone Truss Rod: Dual Acting Binding: Top and Back Binding Material: Black Plastic Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: White Plastic w/black dots Body Top Finish: Truetone Gloss Back/Sides Finish: Truetone Gloss Hardware Color: Nickel Pickguard: Optional Plack Teardrop Tuners: PingWell RM 1171-CVR 3+3 Electronics: Eastman Pickup by Fishman Strings: D'Addario .012-.053 #EXP16  Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Learn More

2008 Bashkin Bellezza Rosewood Adirondack Orchestra Model with Calron Case Learn More

We based this Custom Shop Martin on the discontinued Vintage series 00-28VS but changed the neck to modified low oval with 1-3/4" nut and 2-1/4" saddle spacing which translates to a more versatile and more playable acoustic for most folks. That along with premium Waverly tuners, premium woods throughout and a nice light construction mean this guitar looks and sounds as good as it plays. Learn More

This is a 2003 Goodall Grand Concert featuring Special Reserve AAAA Koa back and sied, and Master Western Red Cedar top. This guitar offers a wonderful blend of clarity and balance with a rich punchy bass response and excellent sustain. While this model is considered ideal for the fingerstylist due to its responsive top, it is equally appropriate for the flatpicker or plectrum player. Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

000C Jr E Bass Burst The 000C Junior E Bass is your full-scale companion, built to bring rich, resonant low end wherever your music takes you. Whether you're laying down grooves at home, jamming with friends, or taking your music on the road, this compact yet powerful acoustic bass is always ready. A solid spruce top provides clarity and definition, while solid sapele back and sides add warmth, punch, and depth, creating a well-balanced, full-bodied bass tone. Scalloped spruce X-bracing enhances resonance and projection, delivering a big voice in a travel-friendly frame. The 24.9" scale length offers a familiar feel, while the Performing Artist neck profile with a high-performance taper and a cutaway allows smooth movement up and down the fretboard. A gently beveled fingerboard edge makes long sessions feel effortless. And when it’s time to plug in, Martin E1 electronics—with a built-in tuner—let you dial in your tone with precision. Available in natural or burst, the 000C Junior E Bass combines classic Martin craftsmanship with modern versatility. Complete with a durable softshell case, it’s always ready to hit the road—because the best companions don’t just follow the rhythm, they lay the foundation. Learn More

The Elvis Costello Century of Progress Signature acoustic guitar is fashioned after Costello's beloved 1936 model. It is a painstaking recreation of his favorite acoustic, used to record and perform many of the songs that made him the iconic musician that he is. Culling information from photos of Costello's treasured guitar and the original blueprints from the 1930s, Gibson Acoustics' team of master luthiers were able to successfully reproduce every attribute of Costello's prized acoustic guitar with flawless accuracy and immaculate attention to detail. No feature was overlooked in the creation of the Elvis Costello Century of Progress acoustic guitar. From the figured eastern hard rock maple used for the back and sides to the Adirondack spruce used for the top and bracing, including vintage-style glue used to put it all together, the acoustic also offers a distinct peghead veneer and period-correct custom pearloid fingerboard, adorned by diamond inlays within Madagascar rosewood rectangle fingerboard markers. The neck is crafted from one solid piece of Honduran mahogany, and hand-sanded to form a pronounced "V" profile. The Elvis Costello Century of Progress from Gibson Acoustic will be released in a very limited run of only 300 instruments, numbered from 001 to 300 with an exclusive black hardshell guitar case adorned with a special Elvis Costello/Gibson stamped commemorative plaque and certificate of authenticity. Each Gibson signature guitar's label will also be personally autographed by Costello. Learn More

Note that this guitar is the actual one listed on the Eastman Guitars website! “Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

This is well played in Mahogany Spruce Go Guitars Go Grande built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Sam recently retired from building guitars so this little travel guitar is sure to hold it's value over the years. Learn More

T60/TV Specs:

Neck Material: Maple

Fingerboard: Ebony
Fingerboard Radius: 12"
Nut: Bone 1.72"
Nut Height:. 022"
Fretwire: 22 Jescar FW47104-P
Scale Length: 24.75"
Body Dimensions: 16" x 1 3/4"
Body Top: Maple Laminate
Body Back/Sides: Maple Laminate
Truss Rod: Single Acting
Binding: Body and Neck
Binding Material: Ivoroid
Logo: Pearl Headstock
Inlay: Pearl Dots
Backplates: None
Side Color Dot: Black
Finish: Truetone Gloss
Hardware Color: Nickel
Tailpiece: Gotoh GE101A-NI Relic
Bridge: Gotoh GE-104B-NI Relic
Tuners: Gotoh SD90 Relic
Knobs: Speed Knobs
Strap Peg: Gotoh EP-A1 Relic
Neck Pickup: Lollar Dog Ear P90
Bridge Pickup: Lollar Dog Ear P90
3 Way Switch: Switchcraft 
Switch Tip: Switchcraft
Capacitors: 0.022μF
Potentiometers: CTS 500K AudioTaper
Output Jack: Switchcraft L11
Strings: D’Addario NYXL .010 - .046
Action Height: 3/32" bass side 12th fret, 2/32" treble side 12th fret
Case: Hardshell Case
Color: Sunburst


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