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The upper echelon of Taylor's rosewood models features the popular "Cindy" inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Learn More

The SCGC OO is an ergonomic delight. This instrument delivers ease of playability and surprising volume for its size. Certainly not just a smaller version of the OOO, the OO is a specialized tool onto itself. The 12-fret body and 24-3/4 inch string length tunes to pitch at lower string tension, making the action supple while requiring less of a stretch between frets. The size and voicing of the OO give it an exceptionally balanced EQ with a wonderful complex tone and remarkable projection. This serious instrument is surprisingly loud. The OO’s portability makes it an excellent companion for composing and recording, and its sophisticated voice encourages players to explore undiscovered fretboard possibilities. Holding this guitar just feels right. Learn More

This is a Custom All Mahogany 12-Fret Grand Auditorium featuring gorgeous Mahogany back and sides, Rosewood binding and Ebony fretboard and bridge. We left the fretboard markers off for a clean look and had the Taylor custom shop set it up with the latest ES electronics and bone nut and saddle Learn More

From the shop of master Luthier, Dimitri Tenev, we offer this amazing, fully hand-made, round hole jazz archtop, featuring Cedat top and Maple back and sides. There is a support post from neck to end block, made of wood and carbon fiber, and fan fret construction for near perfect intonation. Full specs are as follows: Top - Premium Cedar Back and Sides - Hand Carved Figured Maple Fretboard - Premium Rosewood Headstock Overlay - Figured Rosewood Binding - Rosewood Floating Bridge Scale - 25.5" Nut Width - 1-11/16" Spacing at the Bridge - 2-1/4" Upper Bout - 12-1/4" Waist - 9-3/4" Lower Bout - 17" Body Depth - 3-3/16" Tuners - Gotoh 510 Gold Condition is excellent with a few minor handling marks. Comes with TKL hardshell case shown. Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

This 700 Series Rosewood GA feature an Engelmann Spruce top yielding a slightly more aged tone than Sitka, it is no longer an option on the 714ce. Learn More

It's our most popular and versatile model, and it's no wonder! The grand auditorium sized cut-away provides fuller bass response than our slimmer X Model, while providing easy access to upper frets with its no-heel neck joint. The GX is braced with our performance tuned lightweight carbon fiber bracing for an extremely well-balanced volume on every note. The GX provides a very quick and clean response - excellent for chord strumming and flat picking. The comfortable double-cut sculpted back will make you think this guitar was made just for you, and it was! Learn More

This Custom12-Fret Nylon String features handpicked Macassar Ebony back & sides, Premium Engelmann top, Ebony binding with Armrest, and ESN Electronics Learn More

Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

The popularity of smaller guitars has really taken off in recent years but smaller guitars that can hold their own besides full size guitars are few and far between. The Edwinson Falcon is one of those guitars. With a rich, full tone, and plenty of projection, the Falcon will amaze you. Learn More