Search results for 'Test Sold Item'

12-fret Grand Concert featuring a shaded edgeburst top. Solid sapele back/sides, solid mahogany top, 24-7/8-inch scale length, Italian acrylic small diamond fretboard inlays, black binding, white/black top purfling, 3-ring rosette, all-satin body, Taylor slot head tuners with ivoroid buttons, and Expression System® 2 pickup. Ships in a Taylor deluxe hardshell case Learn More

This is the completely reworked 816ce featuring lighter bracing and wood thicknesses as well as a thinner finish which all ad up to more of everything you love about these guitars. Learn More

This is a 2006 Goodall TR OM Traditional Series Orchstra Model featuring AAA Grade Rosewood and gorgeous Adirondack Spruce top Learn More

2006 Fender American Stratocaster in excellent condition with case, and "case candy" Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This is a Haida Gwaii Mini Jumbo hand made in British Columbia. The Haida Gwaii guitar company was made up of four guitar builders, Greg Williams, Chris Williams, Mark Vantaa and Rob Bustos but sadly they were unable to complete many guitars before the company had to dissolve. In fact there were less than 70 guitars built by the company before they closed. Two of the builders, Mark Vantaa and Robert Bustos started the Paragon guitar company using the same building techniques and features. Learn More

This is a recent Blueridge BR361 Parlor featuring all solid wood construction Learn More

This is a Vintage 1950 Gibson J-45 in very good condition. There are finish check and small dings throughput as can be seen in the photos, but no structural issues at all. Plays and sounds fantastic, with the vintage tone you would expect from a really good J-45 of this era. Learn More

The Martin 000-10E Retro is a time-tested tool built for the long haul. With a solid spruce top, solid sapele back and sides, and scalloped X-bracing, it delivers punchy mids, crisp trebles, and a clear, balanced voice across all six strings. The satin finish, understated black binding, and vintage-style open gear tuners nod to classic Martin looks, while the Performing Artist neck profile offers modern comfort and playability. Add in versatile E1 electronics with a built-in tuner and a softshell case, and you’ve got a guitar ready for your next session, song, or stage. Whether you're just getting started or honing your craft, the 000-10E Retro proves you don’t have to wait to play a Martin. Learn More

Taylor Custom AA Rosewood / Adirondack / Cocobolo Grand Concert W/ Armrest Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

This a custom 12-Fret Grand Auditorium (GA) BTO featuring hand selected Quilted Maple for the back and sides with Premium Engelmann soundboard. Although we were going for a simply appointed players guitar we couldn't resist the Cocobolo binding and the rich green Paua Abalone rosette and headstock logo along with green purfling Learn More