Search results for 'Martin Guitar Custom Signature Editions'

Martin SP Lifespan XL Tee Shirt Learn More

When Gibson revamped the Les Paul Standard of 1958-’60 into the Les Paul/SG of 1961 (later simply SG Standard), it introduced a wealth of features that continue to appeal to a wide range of players, long after the reintroduction of the single-cutaway model that it was intended to supercede, many of which are shared by today’s SG Special and SG Standard. The solid mahogany body was thinner and lighter than any solidbody Gibson had produced before, and it still provided a wealth of rich, warm, woody resonance, but with a little extra snap and zing to the tone — all without the back ache Learn More

New from Eastman, Juliet is an evolution of Romeo’s ergonomic carves and graceful curves, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player’s rig, on any player’s stage. Today’s Look, Tomorrow’s Feel Juliet features a lightweight Okume body and neck, with the waist and lower arm contours providing maximum playing comfort while sitting or standing. Each model comes with its own custom designed and uniquely flat inlaid pickguard contributing to an original look while providing both protection and character. The raised center bar adds soul and sustain to a brand new voice. A Solid Rock ‘n Roll Machine Whether you’re using the Schaller three-way Megaswitch to toggle between the Bare Knuckle Old Guard partially wax potted Humbuckers or the Old Guard low wound P90’s, there is no denying that Juliet is a rock n’ roll machine. A three-knob configuration provides two volumes and one tone for the bridge pickup, just like Juliet’s companion Romeo LA. The Antique Black Varnish model comes with a USA Bigsby B5 for players looking for a little extra bend. Not a Stock Headstock Juliet is the first Eastman to feature an in-line-six design, complete with Gotoh tuners. The headstock’s color matched stepdown is an Otto D’ Ambrosio signature, perfectly complementing and highlighting the meticulous attention to detail seen in its design and build. Learn More

The OOO is the full sized version of the 1929 Model series. A longer, 25.375 inch scale for additional volume and bass make it a worthy ensemble instrument. You will find the same simple and elegant aesthetics of the 1929-O and 1929-OO versions. The master grade True Mahogany top is correctly dimensioned and hand voiced for a full and complex presence, and the elements for an heirloom guitar are all in place. The 1929-OOO's look includes a period correct script logo done tastefully in Ivoroid. Classic Ebony complements the pyramid bridge, tuner buttons, head-plate and fretboard. An appropriately simple rosette is inlaid with a rich faux tortoise shell celluloid ring in a vintage Ivoroid border. The 1929-OOO Model has all the exceptional presence and playability that you would expect from the Santa Cruz stable of state of the art acoustic guitars Learn More

Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in our Orchestra models. E1OM Specs: Neck Material:Mahogany Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1-3/4" Fretwire:20 Jescar-FW43080 Scale Length:24.9" Body Dimensions:15" x 4 1/4" x 4" Bracings:Hand Scalloped X Body Top:Solid Thermo-Cured Sitka Spruce Body Back/Sides:Solid Sapele Bridge/Saddle:Ebony/Bone, 2 5/32" Spacing Rosette:Classic Truss Rod:Dual Acting Binding:Top and Back Binding Material:Tortoise Logo:Pearl Headstock Inlay:Pearl Dots Side Dot Color:White Bridge Pins:Ebony Body Top Finish:Truetone Satin Back/Sides Finish:Truetone Satin Hardware Color:Nickel Pickguard:Tortoise Shell  Tuners:Open-Gear Pingwell V93N 3+3 Electronics:None Strings:D'Addario XS Coated Phosphor Bronze Light (.012 - .053) Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side Case:Deluxe Padded Eastman Gig Bag Truss Rod Wrench:4mm Color Options:Traditional, Classic Learn More

12-fret Grand Concert featuring a shaded edgeburst top. Solid sapele back/sides, solid mahogany top, 24-7/8-inch scale length, Italian acrylic small diamond fretboard inlays, black binding, white/black top purfling, 3-ring rosette, all-satin body, Taylor slot head tuners with ivoroid buttons, and Expression System® 2 pickup. Ships in a Taylor deluxe hardshell case Learn More

Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. Learn More

This is a Custom Shop Taylor Grand Auditorium (GA) Featuring European Maple body, Lutz Spruce Top and ES2 electronics Learn More

Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument, you’ll find what you’re looking for in our Orchestra models. Learn More

The 618e Grand Orchestra design enriches Maple's natural tonal palette to produce a full-bodied voice with impressive sustain. Big Leaf quilted maple is paired with a Sitka spruce top featuring a new bracing scheme, which adds responsiveness to the powerful output. Learn More

This is a mint PRS Swamped Ash Special featuring swamp ash body, figured maple neck, 25" scale length, 22 frets, PRS Swamp Ash Bass and Treble humbuckers in the neck and bridge positions respectively, with a Seymour Duncan Vintage Rails in the middle position. A 5-way pickup selector switch and push-pull tone knob to split the humbuckers gives the guitar a huge variety in tones Learn More

Juan Hernandez Profesor - Juan Hernandez Iranzo was born in Spain in the late 1940's, he began building guitars in the Francisco Esteve workshop at age 15, whhere he became an "oficial guitarmaker" and later the production manager of the Esteve workshop. Today he is offering a limited number of fine guitars under his own label featuring the highest quality materials, and workmanship. Learn More