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In the spirit of the city that never sleeps, Romeo NYC will not stop. Sporting the gorgeous award-winning Romeo hollow body design, a solid spruce top with laminated mahogany back and sides, and a free floating 3-point Vario Bridge and Göldo Les Tremaines, Romeo NYC brings something new to the adored tonal palette of Romeo. Plus, with the addition of Seymour Duncan Filteron pickups, Rockabilly, country twang, blues, or flat-out rock n'roll, fall fight out of Romeo NYC. The Truetone Gloss Black finish tops off what is destined to become the vintage rocker's delight. Romeo-NYC Neck Material: Maple Fingerboard: Ebony Fingerboard Radius: 12" Nut: Bone 1.72" Nut Height: .022" Fretwire: Jescar FFW47104-P Scale Length: 24.75" Body Dimensions: 14.75" x 1.75" Body Top: Sitka Spruce Laminate Body Back/Sides: Mahogany Laminate Truss Rod: Single Acting Binding: Top and Back Binding Material: Ivoroid Logo: Pearl Inlay: Pearl Dots Side Dot Color: Pearl Half Circle Finish: Truetone Gloss Hardware Color: Nickel Pickguard: None Tailpiece: Göldo TLT2N Tremolo Bridge: Göldo-3-point-vario-bridge HW2GN Tuners: Göldo MGDBL33N Back Locking Tuners Knobs: Nickel Plated Strap Peg: Gotoh EP-A1 Neck Pickup: Seymour Duncan Psyclone Filtertron Bridge Pickup: Seymour Duncan Psyclone Filtertron Pickup Height: 3/32" Pickup Frame: Creme 3 Way Switch: Göldo EL002 Switch Tip: Ivory Capacitors: .047 Orange Drop Potentiometers: CTS 500K AudioTaper Output Jack: Switchcraft L11 Pickup Wiring: Gavitt Braided Wire Strings: D’Addario NYXL .011 - .049 Action Height: 3/32" 12th fret bass, 2/32" 12th fret treble Case: Hardshell Case Color Options: Black Learn More

The Eclipse: Galloup’s answer to the wonderful small body guitars of the 20′s and 30′s. Very comfortable to hold and play, the Eclipse projects a big, balanced sound. The sculpted edge on the lower body bout is a treat for your picking arm: an uncommon comfort that makes you want to play for hours. Some say this is an ideal fingerpicking guitar. Its compact size makes it perfect for sitting in your easy chair, and its big sound makes it a great professional performer, too Learn More

The iconic shape of the Dreadnought is synonymous with acoustic guitars in general. Big and bold, these cannons are perfect for ensemble settings where the guitar competes for sonic space with other instruments or accompanying strong singers. The Dreadnought is the classic flat-picking bluegrass instrument. Neck Material:Mahogany Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1 3/4" Fretwire:20 Jescar-FW43080 Scale Length:25.4" Body Dimensions:16" x 4 23/32" Bracings:Hand-Carved Scalloped X Body Top:Solid Sitka Spruce Body Back/Sides:Solid Ovangkol Bridge/Saddle:Ebony/Bone, 2 5/32" Spacing Rosette:Classic Truss Rod:Dual Acting Binding:Top and Back Binding Material:Herringbone Logo:Pearl Headstock Inlay:Pearl Dots Side Dots:White Bridge Pins:White Plastic w/ Black Dots Body Top Finish:Truetone Gloss Neck Finish:Truetone Gloss Hardware Color:Nickel Pickguard:Tortoise Shell Tuners:Open-Gear Pingwell V93N 3+3 Electronics:Fishman Presys VT Strings:D'Addario XS Coated Phosphor Bronze Light (.012 - .053) Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side Case:Deluxe padded Eastman gig bag Learn More

Comfort Meets Versatility. From a sunny day on the back porch to a big night on stage, the smaller upper bout paired with the larger lower bout and thin soundbox makes the OO an absolute joy to play. Learn More

Built for comfort and speed! Based on the 1962 model 6120, the Chet Atkins Nashville hollowbody double-cutaway electric guitar features two high sensitive Filter'Tron pickups, Gretsch rocking bar bridge, Bigsby B6C vibrato tailpiece, and flip-up muffler system. Complete with simulated f-holes and snap-on back pad. Finished in high-gloss stain. Learn More

A compact 14” thinline with the soul of a full-body archtop. Carved Maple Top, Carved Mahogany back and sides with remarkable versatility for jazz, blues and rock. Lollar Custom Wound Imperial Humbucker Pickups. Learn More

This classic wood pairing of solid Sitka spruce and solid mahogany accentuates the tonal balance Breedlove concerts are so well known for. With the Breedlove Bridge Truss, the tops dampen more slowly allowing the overtones to blossom, bringing warmth to each note. It also lessens onstage feedback giving performers more flexibility in their volume and tone settings on the LR Baggs side-mounted electronics controls Learn More

Direct, warm, and stripped down, the 000-10E Retro Sapele pairs all-solid sapele tonewoods with classic Style 15 aesthetics. A time-tested Road Series tool, it’s your road to honest sound, smooth playability, and daily inspiration. The Martin 000-10E Retro Sapele is a time-tested tool designed for players who value tone, feel, and simplicity. With a solid sapele top, back, and sides, and scalloped X-bracing, it delivers punchy mids and a warm, balanced voice that suits any style. The satin finish, select hardwood fingerboard with diamond-and-square inlays, and vintage-style open gear tuners evoke a stripped-down, classic Style 15 aesthetic. A Performing Artist neck profile ensures modern comfort and playability, while the select hardwood bridge and ebony bridge pins round out the details. With E1 electronics, a built-in tuner, and a softshell case, this guitar is ready to do the job—whatever your road looks like, and wherever it takes you next. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This Grand Concert BTO features AA Rosewood body with Cocobolo trim, Abalone Paua inlay and latest ES electronics. The nut is a 1-7/8" and the neck shape is V-carve Learn More

Snark SN5 Clip On Guitar, Bass & Violin Tuner Learn More

This custom BTO Grand Auditorium featuring hand selected AA Koa back and sides an amazing piece of Sinker Redwood top with Ebony binding Learn More