Search results for 'The Taylor Pallet Guitar'

This full custom BTO Grand Auditorium was ordered by us at our last visit to the Taylor factory. The Macassar Ebony back and sides were hand picked by me from the Taylor premium stack, as was this amazing piece of Sinker Redwood. As you can see the results are gorgeous but as good as this guitar looks it's the tone that will win you over. This instrument is as responsive as an acoustic can get but it has enough headroom to take the most aggressive strumming you can throw at it. The tone is rich and balanced with plenty of projection. The GA size combined with the armrest means this guitar feels as natural on the couch as it will on stage Learn More

New from Eastman, Juliet is an evolution of Romeo’s ergonomic carves and graceful curves, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player’s rig, on any player’s stage. Today’s Look, Tomorrow’s Feel Juliet features a lightweight Okume body and neck, with the waist and lower arm contours providing maximum playing comfort while sitting or standing. Each model comes with its own custom designed and uniquely flat inlaid pickguard contributing to an original look while providing both protection and character. The raised center bar adds soul and sustain to a brand new voice. A Solid Rock ‘n Roll Machine Whether you’re using the Schaller three-way Megaswitch to toggle between the Bare Knuckle Old Guard partially wax potted Humbuckers or the Old Guard low wound P90’s, there is no denying that Juliet is a rock n’ roll machine. A three-knob configuration provides two volumes and one tone for the bridge pickup, just like Juliet’s companion Romeo LA. The Antique Black Varnish model comes with a USA Bigsby B5 for players looking for a little extra bend. Not a Stock Headstock Juliet is the first Eastman to feature an in-line-six design, complete with Gotoh tuners. The headstock’s color matched stepdown is an Otto D’ Ambrosio signature, perfectly complementing and highlighting the meticulous attention to detail seen in its design and build. Learn More

This is a recent Collings OM2H Orchestra Model (OM) Cutaway featuring select Spruce top gorgeous Rosewood back and sides and K&K Mini Electronics Learn More

This a custom 12-Fret Grand Auditorium (GA) BTO featuring hand selected Quilted Maple for the back and sides with Premium Engelmann soundboard. Although we were going for a simply appointed players guitar we couldn't resist the Cocobolo binding and the rich green Paua Abalone rosette and headstock logo along with green purfling Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar. Learn More

This amazing BTO features handpicked off menu Asian Ebony back & sides, Adirondack top and braces, Ebony binding, and latest ES electronics Learn More

The sound hole is the determining factor for the tone of your mandolin. F-Holes are known for a tight treble attack and a percussive chop ideal for loud ensemble settings. Oval-Hole mandolins possess throaty and vocal tonal characteristics that are wonderfully compatible with mandolin orchestras and Celtic/folk music. Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

The Antonio Aparicio AA-30 is the next level up from the AA20 for the intermediate student. This guitar is the first in the Aparicio line to have rosewood sides and back. Options for the top are either cedar or spruce (cedar featured here). It has an ebony fingerboard and gold plated tuners. Projection is strong enough for the recital stage. Scale length: 650mm. Width at nut: 52 mm Learn More

Like the 200 Series, the sapele 100 Series incorporates laminate back and sides, which offer extra resilience to fluctuating climate conditions, and a slightly narrower 1 11/16-inch neck. Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More