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A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

This is a recent Music Man Armada featuring several new innovations like using a neck-through design. With a mahogany neck running through its mahogany body, the Armada gains in both tone and sustain. Learn More

This is a Limited Brazilian version of the all new completely reworked 812ce 12-Fret featuring lighter bracing and top wood thicknesses as well as a thinner finish which all ad to more of everything you love about these guitars. With the CITES Brazilian this guitar is truly the best it can be. Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More

This is a gorgeous Limited Edition Larrivee L-03QM featuring: All solid wood construction Quilted Maple Back & Sides One-Piece Mahogany Neck Sitka Spruce Soundboard Ebony Fretboard & Bridge Rosewood Body Binding Multi Strip Rosette Symmetrical X-Bracing Dovetail Neck Joint Chrome Larrivee Tuners (18:1 Ratio) Ivoroid Fretboard Binding Microdot Fretboard Inlays Traditional Larrivee Tortoise style Pickguard Learn More

This Custom 612e !2-Fret features Select Maple back and sides, Premium Adirondack Spruce top, hard rock maple neck, 600 Series Advanced Performance bracing with protein glue, and ES2 electronics Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More

This is an Eastman AC708 Grand Concert featuring all Solid wood construction with Rosewood back and sides Engelmann Spruce top and Mahogany neck Learn More

Built for comfort and speed! Based on the 1962 model 6120, the Chet Atkins Nashville hollowbody double-cutaway electric guitar features two high sensitive Filter'Tron pickups, Gretsch rocking bar bridge, Bigsby B6C vibrato tailpiece, and flip-up muffler system. Complete with simulated f-holes and snap-on back pad. Finished in high-gloss stain. Learn More

This Gorgeous 12-Fret Grand Concert features handpicked AA Koa back, sides and top, with rich Cocobolo binding Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More

This custom shop guitar features rare Parrott engraving, along with full Presentation Series Paua Abalone inlays top, back, sides and headstock, and fngerboard extesion, as well as Paua Taylor logo. The wood sets come from a small batch of European Maple, and European Spruce at Taylor, and the tone is to die for. The guitar might actually sound better than it looks. Learn More