Search results for 'Test Sold Item'

This Custom Shop Model features hand select Mahogany top, back and sides, Golden Era style bracing, Hot Hide glue construction, Madagascar Rosewood binding, Modified low oval neck, T-Bar truss rod, slotted headstock, Waverly brass tuners with Ebony buttons, Ebony fingerboard and bridge and gloss finish. Learn More

Upgraded for 2015. Designed for performance, a stage-ready acoustic-electric with a distinct voice built on the original Breedlove concert body shape with all solid tone woods. This versatile acousticelectric concert guitar is ready to be plugged in and played live. The electronics let you control your sound and translate the nuances of your playing to your audience, and it also features the Breedlove Bridge Truss, which relieves stress on the guitar’s top allowing for better balance extra sustain. Learn More

This is gorgeous 1964 Guild T-100 Archtop with Florentine cutaway. Learn More

This handsome limited edition Grand Auditorium showcases a back and sides of blackheart sassafras, whose dramatic color variegation makes each set of wood truly one-of-a-kind. The tone profile of sassafras blends the clarity and woodiness of mahogany with extra midrange and top-end overtones, while the Sitka spruce soundboard yields extra sonic headroom and fullness thanks to Adirondack spruce bracing. Together with our versatile Grand Auditorium body, this beauty will handle a diverse range of playing styles. Unique details include a sharp Florentine cutaway and premium appointments: rosewood Capstone fretboard inlays outlined in mother-of-pearl, a rosewood/mother-of-pearl rosette, rosewood binding with curly maple top edge trim, a rosewood back strip, and Gotoh Gold tuners, with Taylor’s award-winning Expression System® 2 electronics for rich amplified tone. The model features a limited edition guitar label and ships in a Taylor deluxe hardshell case Learn More

12-fret Grand Concert featuring a shaded edgeburst top. Solid sapele back/sides, solid mahogany top, 24-7/8-inch scale length, Italian acrylic small diamond fretboard inlays, black binding, white/black top purfling, 3-ring rosette, all-satin body, Taylor slot head tuners with ivoroid buttons, and Expression System® 2 pickup. Ships in a Taylor deluxe hardshell case Learn More

This is the completely reworked 816ce featuring lighter bracing and wood thicknesses as well as a thinner finish which all ad up to more of everything you love about these guitars. Learn More

This is a 2006 Goodall TR OM Traditional Series Orchstra Model featuring AAA Grade Rosewood and gorgeous Adirondack Spruce top Learn More

2006 Fender American Stratocaster in excellent condition with case, and "case candy" Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This is a Haida Gwaii Mini Jumbo hand made in British Columbia. The Haida Gwaii guitar company was made up of four guitar builders, Greg Williams, Chris Williams, Mark Vantaa and Rob Bustos but sadly they were unable to complete many guitars before the company had to dissolve. In fact there were less than 70 guitars built by the company before they closed. Two of the builders, Mark Vantaa and Robert Bustos started the Paragon guitar company using the same building techniques and features. Learn More

This is a recent Blueridge BR361 Parlor featuring all solid wood construction Learn More

This is a Vintage 1950 Gibson J-45 in very good condition. There are finish check and small dings throughput as can be seen in the photos, but no structural issues at all. Plays and sounds fantastic, with the vintage tone you would expect from a really good J-45 of this era. Learn More