Search results for 'Martin Guitar Orchestra Model'

The resonant tone of rosewood in a body style built for balance. Scalloped X-bracing, herringbone trim and antique white binding offers a bold, complex tone and timeless style. Sitka spruce and East Indian rosewood pair with a sleek modified low-oval neck for sound you won't want to put down and comfort that means you won't need to. This one features gorgeous 1933 Ambertone finish. Learn More

This is a one owner 1939 Kalamazoo KG-14 in amazing condition. This guitar has a full setup restoration March of 2018 at Asher Guitars here in LA including a neck reset so it now plays as good as it looks and sounds. Comes with original case and the original tuners which have been replaced. The KG-14 was made by Gibson in Kalamazoo, Michigan featuring a 00 size body, sunburst finish, spruce top, mahogany back, sides, and neck, ladder bracing, Brazilian rosewood fingerboard and bridge, and a firestripe pickguard. Learn More

Taylor Guitars 914ce Custom AA Rosewood with Engelman Spruce Top Learn More

Whether you’re a purist seeking a guitar steeped in tradition, or someone with their sights set on a more modern instrument you can't go wrong with the Eastman E2OM-BK. Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Model: AC108CE-LTD Neck Material: Mahogany Fingerboard: Ebony Fingerboard Radius: 12" Fretwire: 20 Jescar-FW43080 Body Dimensions: 15" x 4 1/4" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Scale Length: 25.4" Bracings: Hand-carved Scalloped X Body Top: Solid Adirondack Spruce Body Back/Sides: Solid Sapele Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing Rosette: Classic Truss Rod: Dual Acting Binding: Top/Back Binding Material: Tortoise Logo: Pearl Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: Ebony Body Top Finish: Open Pore Back/Sides Finish: Open Pore Hardware Color: Nickel Pickguard: Tortoise Shell G-Guard Electronics: LR Baggs EAS Tuners: Ping RM 1171-CVR 3+3 Strings: D'Addario .012 -.053 EXP16 Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Allen Learn More

With appointments from Martin’s Golden Era (1930-1940), the D-18 GE features genuine mahogany construction and is our most popular model in the series Learn More

DJR-10E The Dreadnought Junior is designed for players looking for big Dreadnought sound in a slightly smaller body. The DJr-10 features satin finished sapele back and sides in a rich cherry hue, an option of satin finished Spruce or Sapele top, and a hand-rubbed neck with a high-performance taper. This model also sports a thinner 000 body depth with softer back edges to provide maximum comfort while playing. Every Junior includes a soft gig bag for easy transport. Learn More

Martin Guitars "Still Handmade" Tee Shirt It’s good to know some things are still made by hand. That’s how we do it here at Martin Guitar. Our new logo tee boasts it with comfort and style. This lightweight tee is made from a cotton/polyester blend for the perfect balance of comfort, durability, and breathability. Putty 60% RINGSPUN COTTON (LIGHT WEIGHT), 40% POLYESTER Please specify size when ordering: 

S, M, L, XL, XXL (+$2.00) Learn More

This is a 2006 Bresnan Guitars GS Grand Symphony model featuring premium Brazilian back and sides with gorgeous Adirondack Spruce soundboard. The Bresnan GS has a slightly larger body than the OM with a wider lower bout and deeper body profile providing a slightly more pronounced bass response with no loss in response Learn More

100% black cotton with the C. F. Martin logo. Learn More

2010 Gibson Hummingbird. Introduced in 1960 as Gibson’s first square-shouldered dreadnought, the Hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by several prime movers on the scene. In the hands of everyone from Keith Richards to Gram Parsons, it quickly proved itself equally adept at folk, country and rock, and excelled at many of the crossovers genres in between that helped to set the scene for the ’60s Learn More