Search results for 'pre owned electric'

This is a 2007 Taylor SB1-S featuring a chambered mahogany body with Flamed Maple top, a single cutaway, direct-mount Taylor humbucking pickups Learn More

2011 Taylor 12-Fret GA-LTD Grand Auditorium with Macassar ebony back/sides and Cedar soundboard with edge burst, slotted headstock, Macassar backstrap, figured koa binding and back strip, bone nut and saddle, inlay-free fretboard, cutaway and latest ES electronics. Only forty of these GA LTD's are being built Learn More

This is a 2008 Bresnan Guitars OM model featuring premium Brazizlian back and sides with gorgeous Adirondack Spruce soundboard Learn More

The Squier Fat Strat is an electric guitar that screams, thanks to a hot bridge humbucker, while 2 single-coils cover the traditional Strat sounds. Learn More

This is an SCGC RS model which is Richard Hoovers interpretation of a vintage Gibson jumbo. For these slope shoulder jumbos SCGC uses perfectly quarter sawn, narrow, stiff, spruce brace stock, and then they double taper it. The first taper extends out beyond the bridge plate and then the second taper drops to the linings. This heavily knifed bracing style is something unique to Santa Cruz developed exclusively to create the woody, dry, explosive tone that the old Gibsons were prized for. It creates a light low mass brace, while not losing the snap and explosiveness that can be the result of a scalloped bracing design. Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

This is a mint Gibson Les Paul Gold Top 57' Reissue LPR-7 with original case and all original paperwork. The classic goldtop finish graces the top, while the back has a dark stain. The BurstBucker pickups on this Gibson 1957 Les Paul Goldtop "VOS" (Vintage Original Spec) are precise copies of the original "Patent Applied For" versions that were the first dual-coil humbucking pickups ever produced in quantity. Their full, round, and versatile sound is as unique now as it was then. Classic carved maple top, solid (non-weight relieved) mahogany back, and one-piece mahogany neck generate the singing resonance that made the original one of the world's most sought-after guitars. Finish and hardware are gently aged to make it look exactly like the real McCoy. Early '50s rounded neck profile gives you something serious to hang onto Learn More

Eastman GUI-CR14A Classical Engelman Spruce / Indian Rosewood / Schertler Onboard Dual Pickup System Learn More

This is a 2006 Bresnan Guitars GS Grand Symphony model featuring premium Brazilian back and sides with gorgeous Adirondack Spruce soundboard. The Bresnan GS has a slightly larger body than the OM with a wider lower bout and deeper body profile providing a slightly more pronounced bass response with no loss in response Learn More

2011 414ce Walnut Spring Limited with latest ES electronics Learn More

Introduced in 1954 as an entry-level version of the Les Paul, the Les Paul Junior graduated from kids bedrooms, to garage bands, to club and arena stages through the course of three decades as it became a favorite of beginners and professional players alike. Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More