Search results for 'Martin Guitar Custom Signature Editions'

This is an O.C. Bear custom Baritone featuring K&K electronics Learn More

The GX is CA's most popular and versatile model, and it's no wonder! The grand auditorium sized cut-away provides fuller bass response than our slimmer X Model, while providing easy access to upper frets with its no-heel neck joint. The GX is braced with our performance tuned lightweight carbon fiber bracing for an extremely well-balanced volume on every note. The GX provides a very quick and clean response - excellent for chord strumming and flat picking. The comfortable double-cut sculpted back will make you think this guitar was made just for you, and it was! Learn More

This is a recent Blueridge BR361 Parlor featuring all solid wood construction Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More

This full custom BTO Grand Auditorium was ordered by us at our last visit to the Taylor factory. The Macassar Ebony back and sides were hand picked by me from the Taylor premium stack, as was this amazing piece of Sinker Redwood. As you can see the results are gorgeous but as good as this guitar looks it's the tone that will win you over. This instrument is as responsive as an acoustic can get but it has enough headroom to take the most aggressive strumming you can throw at it. The tone is rich and balanced with plenty of projection. The GA size combined with the armrest means this guitar feels as natural on the couch as it will on stage Learn More

A staple in the Iberia series, the C5-CE features a solid Canadian cedar top and mahogany back and sides. The construction is based upon the traditional Spanish Classical guitar with the exception of a soft cutaway and a slightly thinner neck. The Fishman Isys+ 2band pickup system produces a rich and natural sound when amplified - perfect for gigging and recording. Learn More

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

Taylor's rosewood/spruce Grand Concert is all about articulation and intimacy. It's a fingerstyle favorite for its balanced and focused response and makes a perfect recording guitar, as it fits well with other instruments. Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More

This amazing BTO features handpicked off menu Asian Ebony back & sides, Adirondack top and braces, Ebony binding, and latest ES electronics Learn More

Martin SP strings are designed with the performer in mind. Learn More

With softer contours and a longer body dimension than the 0 14-Fret model, the 0 12-Fret has a balanced and full tone with slightly more bass and overall volume. First introduced in 1854, the articulate tone and convenient size of the "0" 12-Fret body dimensions have remained popular to this day. Featuring a comfortable short 24 7/8" scale and a wide 2 5/16" string spacing at the bridge, this model is well suited to both finger style and strumming techniques and excels as a recording instrument. Convenient as a travel guitar but with the authoritative tone of a performance instrument, this model is versatile choice for any guitarist. Learn More