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“Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

This sloped shoulder model features a gorgeous whiskey sunset burst finish on a solid Sitka spruce top. Mahogany back and sides are bound in grained ivoroid, a modern straightline rosewood bridge and a modified low oval neck with Performing Artist taper are combined to make this guitar not only fast and easy to play but also something you will be proud to own for years to come Learn More

This is a Haida Gwaii Mini Jumbo hand made in British Columbia. The Haida Gwaii guitar company was made up of four guitar builders, Greg Williams, Chris Williams, Mark Vantaa and Rob Bustos but sadly they were unable to complete many guitars before the company had to dissolve. In fact there were less than 70 guitars built by the company before they closed. Two of the builders, Mark Vantaa and Robert Bustos started the Paragon guitar company using the same building techniques and features. Learn More

The E10OM is a popular choice for fingerstyle but will handle a flatpick with ease. Featuring solid Adirondack Spruce top, solid Mahogany back and sides with dynamically responsive ebony fingerboard. The extended volume range ideal for ensemble playing Learn More

McNaught Custom Phoenix Rising Learn More

This is a full custom version of Taylors new Grand Orchestra model featuring AA Figured Maple back and sides and Premium Adirondack soundboard with Adirondack braces, Ebony armrest and the latest ES electronics. This guitar has everything you need and nothing you don't Learn More

Please note that Rainsong has closed it's doors so once the current stock sells out we will not have any more new Rainsongs available. RainSong Graphite Guitars, the premier builder of Carbon/Graphite acoustic guitars, is excited to introduce Vintage and Nashville featuring the new Soundboard Fusion Technology (SFT). To combine the stability and robustness of carbon fiber with the traditional aesthetics of wood, RainSong has developed SFT: Soundboard Fusion Technology. After careful experimentation, we are able to fuse a thin spruce soundboard and a unidirectional pre-impregnated carbon in a single molding step. The resulting SFT soundboard is a composite matrix that resonates as a single unit, like a solid wood soundboard. The physical properties of the carbon fiber far exceed those of the thin wood. Hence the SFT soundboard maintains the imperviousness to humidity and temperature of carbon fiber. An SFT soundboard delivers rich carbon sound colored by wood. Perfect for those looking for a bulletproof guitar with tone that stays as close to their wood guitar as possible. Depth at end-pin: 5 inches Lower bout: 16 inches Body Length: 20 inches Neck width at nut: 1.75 inches Scale length: 25.4 inches N2 Neck with adjustable neck Tuning machines: Chrome plated Gotohs with 1:18 gear ratio Electronics: None Learn More

This is a 1997/1998 Guild X700 made in Guilds Westerly RI plant. Condition is outstanding with no issues to mention. Learn More

The Pursuit 12 String features the Breedlove Bridge Truss for additional sustain, balance, and clarity, and a comfortable neck and a pinless bridge make it easy to play and a breeze to re-string Learn More

This is one of the original 500 Brazilian Rosewood Martin 000-28ECB Eric Clapton Signature models built in 2002. This one is #90 of 500 made, and it features exceptional Brazilian Rosewood back and sides. Full specs are as follows: Martin 000-28ECB Eic Clapton Limited Brazilian Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 000-14 Fret Top: Solid Sitka Spruce Rosette: Fine Herringbone Top Bracing Pattern: Standard "X" Scalloped Top Braces: Solid Sitka Spruce 5/16" Back Material: Solid Brazilian Rosewood Back Purfling: HD Zig-Zag Side Material: Solid Brazilian Rosewood Endpiece: Grained Ivoroid Endpiece Inlay: Black/White Boltaron Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Side Inlay: None Back Inlay: Black/White Boltaron Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Solid/Diamond?SquareTaper Headplate: Solid Brazilian Rosewood/Large Old Style Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 24.9" Number of Frets: 20 Fingerboard Width at Nut: 1-3/4" Fingerboard Width at 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamonds & Squares - Long PatternFingerboard Binding: None Finish Back & Sides: Polished Gloss Finish Top: Polished Gloss w/ Vintage Toner Finish Neck: Polished Gloss Bridge Material: Solid Black Ebony Bridge Style: Belly Bridge String Spacing: 2-1/4" Saddle: 16" Radius/Compensated/Bone Tuning Machines: Gotoh Nickel Open-Geared w/ Butterbean Knobs Recommended Strings: Martin Light Phosphor Bronze (MEC12) Bridge & End Pins: White w/Black Dots Pickguard: Tortoise Color - Beveled & Polished Case: Original Martin Case Interior Label: CFM IV & Eric Clapton Pre-Printed Signatures Learn More

This custom Taylor features 12-Fret Grand Concert (GC) body with handpicked Cocobolo back, sides Sinker Redwood top and gorgeous flamed Maple binding Learn More

Based on some of our favorite vintage Martins, this gorgeous 000 12-Fret featuring 1-3/4" nut, short scale, modified low oval neck, and dovetail neck construction. Has the vintage tone and feel we love, with the playabilty we've learned to expect from modern guitars. Learn More