Search results for 'martin om'

2010 Gibson Hummingbird. Introduced in 1960 as Gibson’s first square-shouldered dreadnought, the Hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by several prime movers on the scene. In the hands of everyone from Keith Richards to Gram Parsons, it quickly proved itself equally adept at folk, country and rock, and excelled at many of the crossovers genres in between that helped to set the scene for the ’60s Learn More

This Custom Eastman 00 is based on Gibson's LG2 / B25 shape and size, but thanks to the Thermo Cured Adirondack top, premium Mahogany back and sides, and Vintage Varnish finish, we feel that tonally this guitar has a richer, fuller, and cleaner voice and is more responsive than what you would expect from the Gibson, making it a much more versatile instrument. Excellent for finger style but can handle a flat pick quite nicely, it's an amazing 00. We added Vintage Varnish finish with a slight distressed look, with subtle gold burst to jazz up the look, and premium Gotoh tuners to make sure you stay in tune. This run is limited to 20 guitars to celebrate our 20th anniversary online. There will be no more like this after they are sold out. Learn More

A crossover instrument for guitar players looking to expand their skills. The Breedlove Crossover OO Mandolin is designed to be the go-to instrument for guitarists wishing to add depth to their repertoire by learning to play the mandolin. This carved, solid-top mandolin features a wider nut width and a radiused fretboard inspired by the Breedlove Custom Shop for exceptional comfort and playability at an affordable price. This is the optimal instrument for guitar players looking to expand their skills by picking up the mandolin. Body Shape The Breedlove O body is an elegant rendition of the traditional teardrop "A" body shape that has typified mandolin style from Celtic to bluegrass. Woods The solid, carved Sitka spruce top is complimented by the carved maple back and sides -- a timeless combination that produces exceptional resonance, projection and musicality. Neck The semi-gloss finish on this handcrafted neck provides the most comfortable and fastest playing neck possible by preventing hand binding from the sticky texture of a full-gloss finish. Fretboard and Nut Width The radiused rosewood fretboard is optimized for comfort and playability, and the 1-3/16" nut width provides wider string spacing for faster, easier chording. Soundhole The oval hole provides a rich, full voice that blends well with other instruments in a band or ensemble. Aesthetic Elements The semi-gloss black finish on this mandolin is contrasted by an ivory binding at the top and back body. The binding provides protection for the instrument and highlights the elegant dimensions of the mandolin. Set-Up and Quality Assurance in Bend, Oregon USA Breedlove's comprehensive quality control process provides the player with an instrument that will play great right out of the box. Prior to shipment, every Breedlove instrument undergoes a rigorous multi-point inspection in Bend, Oregon by their expert U.S. quality control team. They start with a visual inspection: they check aesthetic and structural elements of the body and all components for flaws. Next, each guitar is tuned and undergoes a play test, where craftspeople check nut height, relief, action, and string height. Based on the results of the play test, they then adjust for maximum playability. Next, each instrument is buffed and polished by hand with painstaking attention to detail. Once the instrument has passed inspection, a signed QC sticker is placed, and the instrument is carefully packed and shipped. Features Body: Breedlove O Soundhole: O Top: Solid, carved Sitka spruce Back and Sides: Carved maple Neck: Maple with semi-gloss finish Body Finish: Semi-gloss - Black Nut Width: Bone 1-3/16 Fingerboard: Radiused East Indian rosewood Peghead Veneer: Rosewood Binding: Ivoroid Bridge: Rosewood Tuners: Nickel with black buttons Condition is excellent. There is no case. Learn More

This GS BTO features Ziricote back and sides, Adirondack top, and Ebony trim with armrest Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Neck Material: Maple Fingerboard: Ovangkol Fingerboard Radius: 12" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Fretwire: 22 Jescar-FW43080 Scale Length: 25.4" Body Dimensions: 16" x 4 1/4" Bracings: X-Braced Body Top: Solid Sitka Spruce Body Back/Sides: Laminated Maple Bridge/Saddle: Ovangkol/Bone, 2 5/32" Spacing Rosette: Abalone Truss Rod: Dual Acting Binding: Top and Back Binding Material: Black Plastic Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: White Plastic w/black dots Body Top Finish: Truetone Gloss Back/Sides Finish: Truetone Gloss Hardware Color: Nickel Pickguard: Optional Plack Teardrop Tuners: PingWell RM 1171-CVR 3+3 Electronics: Eastman Pickup by Fishman Strings: D'Addario .012-.053 #EXP16  Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Learn More

Taylor Guitars 456ce SLTD 2014. The cutaway 12-string 456ce showcases solid African Ovangkol’s responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. Like all Taylor models, the sleek profile and low action of the neck makes our 12-strings incredibly comfortable to play, with crisp tonal separation. White binding applies a clean counterpoint, while an all-gloss finish on the body enhances Ovangkol’s beautiful variegation. Taylor’s onboard Expression System® 2 acoustic electronics respond with high-fidelity amplified acoustic sound that will make any performance or recording shine Learn More

This is a Taylor 916ce Prototype built by the Taylor Custom Shop Learn More

Upgraded for 2015. Designed for performance, a stage-ready acoustic-electric with a distinct voice built on the original Breedlove concert body shape with all solid tone woods. This versatile acousticelectric concert guitar is ready to be plugged in and played live. The electronics let you control your sound and translate the nuances of your playing to your audience, and it also features the Breedlove Bridge Truss, which relieves stress on the guitar’s top allowing for better balance extra sustain. Learn More

This custom Taylor features Grand Auditorium body with handpicked Grafted Walnut back and sides and hand picked Sinker Redwood soundboard, Flamed Maple binding and a light edgeburst finish Learn More

T186MX THINLINE Neck Material:Mahogany Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1.72" 1st Fret String Height:.022" 12 Fret String Height:Bass .078" & Treble .062" Fretwire:22 Medium Jumbo Jescar 47104 Scale Length:25" Body Style:16" Thinline Body Dimensions:16" x 1 3/4" Body Top:Solid Maple Body Back/Sides:Solid Mahogany Truss Rod:Single Acting Binding:Body, Neck, Headstock Binding Material:Flamed Maple Logo:Pearl Headstock Inlay:Pearl Dots Finish:Truetone Gloss Hardware Color:Nickel Tailpiece:Gotoh Bridge:Gotoh Tuneomatic  Tuners:Gotoh SD90 Knobs:Amber Speed Knobs Neck Pickup:Bare Knuckle BC Old Guard Custom Humbucker Bridge Pickup:Bare Knuckle BC Old Guard Custom Humbucker Pickup Height:3/32" bass side, 3/32" treble side Pickup Frame:Black Plastic/Creme Plastic Switch:3 Way Switch Capacitors:0.047μF Potentiometers:500K AudioTaper Output Jack:Switchcraft  Strings:D’Addario NYXL .010 - .046 Case:Hardshell Case Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More