Search results for 'Martin Guitar 17 Series'

This is a 2010 PRS Ted McCarty wood library edition SC245 in Solana Burst Learn More

This is a Limited Brazilian version of the all new completely reworked 814ce featuring lighter bracing and top wood thicknesses as well as a thinner finish which all ad to more of everything you love about these guitars. With the CITES Brazilian this guitar is truly the best it can be. Learn More

The D-125 dreadnought’s all-mahogany construction produces a unique and well-balanced sound, with clear, tight bass and a warm, airy top end-great for a broad range of musical styles. Its slim satin-finish mahogany neck imparts smooth playability and silky feel; premium appointments include mother-of-pearl rosette and inlays, and rosewood fingerboard, bridge and headcap Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More

This is a 2009 Taylor 714CE-LTD Spring Limited featuring Spruce soundboard and amazing, and no longer available Madagascar Rosewood back and sides Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

The Gibson Les Paul Special's solid mahogany body is carved with a single cutaway for good upper-fret access, and was given a flat "slab" top for ease of manufacture. The neck on the Les Paul Jr Special cutaway guitar is constructed from solid mahogany carved to Gibson's popular "slim taper" profile, which offers a blend of speed and comfort. The neck shape on the Gibson Les Paul Junior guitar is an outstanding marriage between the rounded '50s profile and super-slim early '60s profile. An ebony fingerboard enhances the Gibson guitar's note attack and articulation Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

This is a mint, custom Go Guitars Type II Parlor built by master Luthier Sam Radding. Mostly known for giving Bob Taylor his start in the guitar business, and more recently for his outstanding Go Travel guitars, Sam has also been building custom guitars in sizes ranging from small 3/4 size Parlor guitars up to 00 size models. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This custom 9-string features Grand Symphony body with select Cedar soundboard, figured Koa binding and gorgeous Mahogany back & sides Learn More