Search results for 'The Taylor Pallet Guitar'

C5 Capo fits Banjo's (also fits most mandolins and bouzoukis - flat fretboard) Learn More

The D-21 Special is a limited edition dreadnought that is limited to 300 guitars. The D-21 Special is rich with East Indian Rosewood which is used not only for the back, sides, and headplate but also for the fingerboard and bridge. Other unique features are the nickel open-gear tuners and black binding around the entire body of the guitar. The D-21 Special includes a Sitka spruce top with forward-shifted scalloped bracing, a traditional hand-fit dovetail neck, and a polished gloss finish. Some modern touches include a modern belly drop-in saddle and a high performance neck, for enhanced playability and comfort. Learn More

One of the heaviest, densest rosewoods around, Cocobolo yields a bright, articulate voice. For this Cocobolo/Sitka Spruce offering, Cocobolo was also incorporated visually into the inlays on the front of the guitars. A band of cocobolo trim traces the top, while the rosette motif features cocobolo as an S-curve that contrasts with buttery boxwood, a slow-growing wood with a density comparable to ebony. Boxwood was also used for a new Split Diamond fretboard inlay, which visually references the rosette's S-curve. Other wood-rich appointments include a cocobolo backstrap and figured maple binding. Tonally, Cocobolo's density translates into a beautifully clear, bell-like tone, with a piano-like quality to the low notes. Learn More

The original clip-on music light! Learn More

Martin Everyday Cap Item No. 18NH0049 Designed to keep you cool no matter how hot the weather gets, this unstructured cap is the only accessory you’ll need this summer. Constructed from pre-washed chino twill in Texas orange, this cap is low-profile. ● 100% bio-washed chino twill ● Six-panel, low-profile construction ● Adjustable self-fabric back with tri-glide buckle close 100% chino twill Color: Texas Orange One size fits all Learn More

This is a semi custom 2012 Taylor 614CE featuring upgraded wood, three piece back and Gotoh 510 tuners Learn More

New from Eastman, Juliet is an evolution of Romeo’s ergonomic carves and graceful curves, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player’s rig, on any player’s stage. Today’s Look, Tomorrow’s Feel Juliet features a lightweight Okume body and neck, with the waist and lower arm contours providing maximum playing comfort while sitting or standing. Each model comes with its own custom designed and uniquely flat inlaid pickguard contributing to an original look while providing both protection and character. The raised center bar adds soul and sustain to a brand new voice. A Solid Rock ‘n Roll Machine Whether you’re using the Schaller three-way Megaswitch to toggle between the Bare Knuckle Old Guard partially wax potted Humbuckers or the Old Guard low wound P90’s, there is no denying that Juliet is a rock n’ roll machine. A three-knob configuration provides two volumes and one tone for the bridge pickup, just like Juliet’s companion Romeo LA. The Antique Black Varnish model comes with a USA Bigsby B5 for players looking for a little extra bend. Not a Stock Headstock Juliet is the first Eastman to feature an in-line-six design, complete with Gotoh tuners. The headstock’s color matched stepdown is an Otto D’ Ambrosio signature, perfectly complementing and highlighting the meticulous attention to detail seen in its design and build. Learn More

Martin’s premium classical strings are tonally superior to nylon. The proprietary synthetic material emulates gut strings that have been around for centuries. Magnifico™ strings, developed exclusively with Aquila, offer precise intonation and exceptional tuning stability. All Nazareth-made nylon guitars and custom produced nylon guitars are strung with Martin’s Magnifico™ premium classical strings. Unlike Martin’s standard classical strings, which have a ball-end, Magnifico™ classical strings will be offered only with the traditional tie-end. Model: M265 
Gage: Normal Tension
, E: .025
, B: .0131, 
G: .0376, D: .029
, A: .035
, E: .042
 Tension: 98.1 Learn More

The Robb Report showcases the simple elegance of this SCGC model as a way to 'own the extraordinary' instead of 'settle for the ordinary.' Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. See and hear The Acoustic Guitar magazine's review here: http://www.acguitar.com/article/default.aspx?articleid=24813. Learn More

Resurrecting the look of Martin's early Style 17 guitars, the modern 17 Series features a shaded gloss Sitka spruce top, solid genuine mahogany back and sides, and tortoise brown binding. The 000-17SM features a tight, 12-fret body and vintage slotted East Indian rosewood headstock for a truly one-of-a-kind instrument. Includes a 311 hardshell guitar case Learn More

This amazing guitar was hand built in Taylors tiny Lemon Grove shop back in 1986 by Bob Taylor with help from Larry Breedlove, well before they started using CNC machines for everything. This model was used by artists like Neil Young and Prince who appreciated the ultra-playable neck. Original pre-CNC Taylors are getting harder to find as collectors start to see the value. Grab this one at a very fair price. Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More