Search results for 'Brand 3'

2006 Fender American Stratocaster in excellent condition with case, and "case candy" Learn More

New from Eastman the A6SS-TC is an all solid Mahogany Spruce slope shoulder dreadnought with thermo cured soundboard and hardshell case Learn More

A premium upgrade to Taylor’s popular Grand Auditorium ovangkol/spruce 414ce substitutes much rarer Engelmann spruce in place of Sitka. Engelmann’s appealing tonal properties yield a mature, played-in sound right out of the case, with a slightly richer midrange than Sitka. Together with the rosewood-like tonal range of ovangkol and Taylor’s Performance bracing, players will love the overall volume, warmth and sustain, with signature Taylor balance and clarity across the entire tonal spectrum. A shaded edgeburst adds another unique touch, wrapping the entire body in warm, neo-vintage character. Other featured details include Italian acrylic dot fretboard inlays, white binding, a full-gloss body, Taylor nickel tuners, a Venetian cutaway, and Taylor’s Expression System® 2 electronics. The guitar features a Special Edition label inside and ships with a Taylor deluxe hardshell case. Learn More

In the spirit of the city that never sleeps, Romeo NYC will not stop. Sporting the gorgeous award-winning Romeo hollow body design, a solid spruce top with laminated mahogany back and sides, and a free floating 3-point Vario Bridge and Göldo Les Tremaines, Romeo NYC brings something new to the adored tonal palette of Romeo. Plus, with the addition of Seymour Duncan Filteron pickups, Rockabilly, country twang, blues, or flat-out rock n'roll, fall fight out of Romeo NYC. The Truetone Gloss Black finish tops off what is destined to become the vintage rocker's delight. Romeo-NYC Neck Material: Maple Fingerboard: Ebony Fingerboard Radius: 12" Nut: Bone 1.72" Nut Height: .022" Fretwire: Jescar FFW47104-P Scale Length: 24.75" Body Dimensions: 14.75" x 1.75" Body Top: Sitka Spruce Laminate Body Back/Sides: Mahogany Laminate Truss Rod: Single Acting Binding: Top and Back Binding Material: Ivoroid Logo: Pearl Inlay: Pearl Dots Side Dot Color: Pearl Half Circle Finish: Truetone Gloss Hardware Color: Nickel Pickguard: None Tailpiece: Göldo TLT2N Tremolo Bridge: Göldo-3-point-vario-bridge HW2GN Tuners: Göldo MGDBL33N Back Locking Tuners Knobs: Nickel Plated Strap Peg: Gotoh EP-A1 Neck Pickup: Seymour Duncan Psyclone Filtertron Bridge Pickup: Seymour Duncan Psyclone Filtertron Pickup Height: 3/32" Pickup Frame: Creme 3 Way Switch: Göldo EL002 Switch Tip: Ivory Capacitors: .047 Orange Drop Potentiometers: CTS 500K AudioTaper Output Jack: Switchcraft L11 Pickup Wiring: Gavitt Braided Wire Strings: D’Addario NYXL .011 - .049 Action Height: 3/32" 12th fret bass, 2/32" 12th fret treble Case: Hardshell Case Color Options: Black Learn More

All Eastman Guitars and Mandolins are built in Eastman's workshops in Beijing by their expert team of luthiers and crafts people. The MDA315E-SB F style mandola from Eastman features all solid wood construction with hand-carved, maple back & sides, bound spruce top, maple neck, Ebony fingerboard, adjustable bridge, cast aluminum tailpiece, satin finish, nickel hardware. The Eastman Mandola is larger with a lower pitch than their mandolin, and has a deeper, richer sound. MDA315E-SB Mandola Full Specs: Fingerboard:Ebony Fingerboard Radius:12" Nut:Bone 1 11/32" Fretwire:23 Jescar-FW37053 Scale Length:16" Body Style:F-Style w/ F-Holes Body Dimensions:29" x 15 27/32" x 2 1/8" Body Top:Solid Spruce Body Back/Sides:Solid Maple Truss Rod:Single Acting Binding:Top Binding Material:Ivoroid Logo:Maple Headstock Inlay:Pearl Dots Side Dot Color:Black Finish:Truetone Satin Hardware Color:Nickel Tailpiece:Eastman Cast Aluminum Bridge:Adjustable Compensated Ebony Nut Height:0.018" Pickup:K&K Duotone Tuners:Proline J-105 Strap Peg:Ebony Strings:D'Addario J76 Action Height:0.060"/0.050" Case:Padded Eastman Gig Bag Color Options:Sunburst Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

This is a Webber Rosewood Spruce 000 12-Fret with slotted headstock in excellent condition Learn More

The E20OM-TC Orchestra Model features Thermo-Cure process cooks off the volatiles (oils, sugars, and resins) in a controlled heat environment essentially speeding up a 50 year process, opening the guitar up to a full range of tones. This creates a louder guitar, perfect for musicians trying to compete with noisier instruments. The E20OM-TC has a solid Thermo-Cured Adirondack top and solid Rosewood back/sides Learn More

This is a 1997/1998 Guild X700 made in Guilds Westerly RI plant. Condition is outstanding with no issues to mention. Learn More

Gary Zimnicki Handmade, hand carved 18" F-Hole Archtop Top - Hand carved Bookmatched Sitka Spruce Back and Sides - Hand Carved Bookmathched AAA Flamed Maple Fretboard - Ebony Headstock Overlay - Circassian Elm Burl Hand Carved Ebony Brideg and Tail Piece Scale - 25.5" Nut Width - 1-13/16" Spacing at the Bridge - 2-1/8" Upper Bout - 13" Waist - 11.75" Lower Bout - 18" Body Depth - 3.25" Tuners - Schaller Gold with Ebony Buttons Condition is excellent Plus, with original hardshell case. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Taylor Custom 12-Fret Cocobolo Sinker Redwood Learn More