Search results for 'taylor gs mini'

The Rosewood/Cedar 712e features a compact Grand Concert body and short-scale 24-7/8-inch neck for a physically comfortable playing experience. The short-scale design will appeal to players looking to ease the stress on their fretting hands, and the slightly slinkier feel of the strings makes bending easier. A warm Vintage Sunburst top and neck, grained ivoroid binding and rosette, and grained ivoroid Heritage Diamond fretboard inlays evoke a classic vibe. Learn More

D-X2E 12-String Brazilian Rosewood The remastered X Series is made to play. The acoustic-electric D-X2E Brazilian 12-String features a hand-rubbed satin spruce top with an elegant abalone pattern rosette and eye-catching Brazilian rosewood pattern high-pressure laminate (HPL) back and sides for added durability and looks, without sacrificing that classic Martin tone. Playability enhancements include a thinner fingerboard with a gently beveled comfort edge and refined string spacing, and a modernized bridge contour for a smooth and comfortable playing experience. It also features a select hardwood neck, fingerboard, and bridge for improved sound and sustain, and Martin E-1 electronics with a built-in chromatic tuner and volume, tone, and phase controls. The D-X2E Brazilian 12-String's iconic Dreadnought body size is loud and projective with strong bass, lending itself to any genre and experience level, while the extra strings provide a unique layer of chime, tone, and texture. All X Series models come with a softshell case. Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

This gorgeous BTO features handpicked Cocobolo back & sides, Sinker Redwood top, and Koa binding and Armrest Learn More

From the Martin Custom Shop, this is our latest house custom, the "00-42KS" features premium Koa constriction with gorgeous 42 style Abalone inlays and 12-fret body. Easy to play, easy on the eyes and it sounds even better than it looks. Learn More

Gibson Custom Shop Keb Mo Model - The blues was born as an acoustic music style and its roots still reach back to that early connection. No artist embraces this ethos more than Keb' Mo', whose post-modern blues stylings stretch to fully electric blues, jazz, and R&B, while constantly referencing the Delta-fried, acoustic-fueled music that forms the beating heart of his inspiration. Gibson Acoustic honors this three-time Grammy Award Winner with the Keb' Mo' Bluesmaster, a flat-top acoustic guitar made in the tradition of the great small-bodied Gibson blues boxes with the added versatility of a built-in L.R. Baggs Element pickup with soundhole-mounted volume control. Learn More

T60/TV Specs:

Neck Material: Maple

Fingerboard: Ebony
Fingerboard Radius: 12"
Nut: Bone 1.72"
Nut Height:. 022"
Fretwire: 22 Jescar FW47104-P
Scale Length: 24.75"
Body Dimensions: 16" x 1 3/4"
Body Top: Maple Laminate
Body Back/Sides: Maple Laminate
Truss Rod: Single Acting
Binding: Body and Neck
Binding Material: Ivoroid
Logo: Pearl Headstock
Inlay: Pearl Dots
Backplates: None
Side Color Dot: Black
Finish: Truetone Gloss
Hardware Color: Nickel
Tailpiece: Gotoh GE101A-NI Relic
Bridge: Gotoh GE-104B-NI Relic
Tuners: Gotoh SD90 Relic
Knobs: Speed Knobs
Strap Peg: Gotoh EP-A1 Relic
Neck Pickup: Lollar Dog Ear P90
Bridge Pickup: Lollar Dog Ear P90
3 Way Switch: Switchcraft 
Switch Tip: Switchcraft
Capacitors: 0.022μF
Potentiometers: CTS 500K AudioTaper
Output Jack: Switchcraft L11
Strings: D’Addario NYXL .010 - .046
Action Height: 3/32" bass side 12th fret, 2/32" treble side 12th fret
Case: Hardshell Case
Color: Sunburst


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Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

This is a 12-Fret Grand Concert full custom Taylor BTO featuring hand picked Cocobolo and Sinker Redwood, and gorgeous edge burst finish. Below are just some of the features of this custom Learn More

Based on some of our favorite pre-war Martins this full custom Size 2 Parlor features premium Genuine Mahogany and hand cut dovetail neck construction. Full specs are as follows: CONSTRUCTION: Standard; Mahogany Blocks/Dovetail Neck Joint BODY SIZE: Size 2 TOP: Solid Genuine Mahogany (2 piece) TOP GRADE: 3 TOP BRACES: Sitka / Scalloped 1/4'' / Standard PATTERN: Size 2 - X-Brace TOP BINDING: None TOP INLAY: None TOP PEARL: None ADDITIONAL TOP INLAY: None ROSETTE: Single Ring PEARL INLAY: None ADDITIONAL ROS. INLAY: .015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber/.015'' Maple Fiber/.015'' Black Fiber PICKGUARD: NONE PEARL INLAY: None BACK: Genuine Mahogany BACK PANELS: 2 PURFLING: None CENTER STRIP/LOC. STAMP: Sitka Standard (C.F. Martin & Co. Nazareth, PA Btwn 1st & 2nd Brace) CAUTION STAMP: None BACK BRACES: Sitka Spruce BACK BINDING: None BACK INLAY: None BACK PEARL: None ADDITIONAL BACK INLAY: None SIDES: Genuine Mahogany SIDE INLAY: None SIDE PEARL: None ADDITIONAL SIDE INLAY: None SIDE STRIPS: None ENDPIECE: None ENDPIECE INLAY: None ENDPIECE PEARL: None BLOCK: Mahogany TAG/PLATE: None REAR: Size 2 Mahogany FRONT: Size 2 Adjustable Mahogany Line 1: C. F. Martin Logo Line 2: Custom Shop Logo Line 3: Serial # Line 4: Line 5: NECK: Genuine Mahogany- 12/4 NECK SHAPE: Mod Low Oval HEADSTOCK: Slotted / Do Not Square Slot Corners / 6 String / No Diamond BACK/HEAD STAMP: None TRUSS ROD: 2-Way Adjustable 335mm HEELCAP: None NUT: Bone ON ANGLE/FLAT: Flat HEADPLATE: Solid East Indian Rosewood HEADPLATE DECAL: Small Old Style HEADPLATE BIND: None HEADPLATE INLAY: None HEADPLATE PEARL: None ADDITIONAL HP INLAY: None TUNING MACHINES: GoldenAge2508-Relic Nickel,SideMnt,3OnPlate,EngrvdIvrdBtn(Drill in MR)-"C" Drill FINGERBOARD: East Indian Rosewood RADIUS: 16'' SCALE LENGTH: 24.84 (24.9) WIDTH AT NUT: 1 3/4'' (1.750) WIDTH AT 12 FRET: 2 1/4'' (2.250) FRET WIRE: German G300,Notched 1 3/4 FRETS CLEAR: 12 TOTAL FRETS: 18 FINGERBOARD BIND: None FINGERBOARD INLAY: None PEARL INLAY: Diamond & Squares - Short Pattern (Select Abalone) (GE) ADDITIONAL FB INLAY: None SIDE DOTS: Yellow ABS SIDE DOT POSITION: One at 3rd, 5th, 7th, 9th, Single at 12th, One at 15th & 17th Frets FINISH TYPE: Satin Finish FINISH BODY: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain / Rosewood Filler FINISH TOP: CCraft Cat Modified 15 Sheen Satin/Univ Dark Mahog Stain/Rosewood Filler FINISH NECK: CCraft Cat Modified 15 Sheen Satin/Universal Dark Mahog Stain/Rosewood Filler BRIDGE: East Indian Rosewood STYLE: Straightline w/ Drop-In Saddle PEARL INLAY: None ADDITIONAL BR INLAY: None STRING SPACING: 2 1/4'' (2.250) SADDLE: SL,Compensated,Bone,16R,#5 ELECTRONICS: Optional STRAP BUTTON: None STRINGS: MSP 4100 Light Phosphor Bronze BRIDGE PINS: Black Ebony END PIN: Black Ebony Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

Built with the methods and materials of the "Golden Era" of the 30's & 40's the Eastman E6D-12 features Solid Sitka spruce top, solid mahogany back & sides and a traditional dreadnought shape. Learn More