Search results for 'baby taylor'

This is a 2008 R. Taylor Style 2 featuring Cocobolo back and sides, Sinker Redowwod top, and Bloodwood binding Learn More

Taylor Custom Macassar / Sinker Grand Auditorium Learn More

Taylor Custom Grand Symphony (GS) / AA Maple / Sitka / Ebony Armrest / Full Abalone Inlay / Running Horses / ES2 Electronics Learn More

This Custom 612e !2-Fret features Select Maple back and sides, Premium Adirondack Spruce top, hard rock maple neck, 600 Series Advanced Performance bracing with protein glue, and ES2 electronics Learn More

This amazing Custom12-Fret Nylon String features handpicked Macassar Ebony back & sides, Premium Cedar top, Flamed Koa binding and ESN Electronics. Learn More

Players continue to discover solid African Ovangkol's responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. White binding applies a crisp counterpoint against the gloss top and mottled brown hues of Ovangkol, while the Expression System 1 wires these guitars for high-fidelity amplified acoustic sound Learn More

This is a 2007 Taylor SB1-S featuring a chambered mahogany body with Flamed Maple top, a single cutaway, direct-mount Taylor humbucking pickups Learn More

Inspired by Dave Matthews 914ce, the DMSM is an Indian rosewood/Sitka spruce Grand Auditorium. A custom fretboard inlay blends elements of the popular "Cindy" inlay, which graces Matthews 914ce, with a design that pays tribute to the band's longtime sax player, LeRoi Moore, who passed away in 2008. Based on a sketch that Matthews provided, a crown inlay between the 11th and 12th frets honors Moore, incorporating ball-tipped points with one ball partially missing in his memory. A nickname of Moore's within the band, "Grux" is inlaid between the 13th and 18th frets. The headstock inlay also was developed from a sketch by Matthews. The guitar top was shaded with an aged toner to approximate the patina Matthews has on his older 914ce. Each DMSM comes with a custom guitar label and a certificate of authenticity, both personally signed by Matthews Learn More

Within Taylor standard line, the K24ce is a favorite of the Koa Series, blending the stunning tonal and aesthetic appeal of an all-solid koa body with the comfort and versatility of the Grand Auditorium body shape. This limited edition showcases an alternative package of wood-rich appointments, including the floating kelp-inspired koa and boxwood Ocean Vine fretboard inlay scheme, with figured maple binding and rosette. Tonally, the koa top levels out a lively strumming attack to produce to a clear, focused voice with top-end chime. Perhaps the best part: the longer you play it, the better it sounds. And with the onboard ES2 electronics, you can count on natural-sounding amplified tone whenever the time is right. Learn More

This is a Custom All Mahogany 12-Fret Grand Auditorium featuring gorgeous Mahogany back and sides, Rosewood binding and Ebony fretboard and bridge. We left the fretboard markers off for a clean look and had the Taylor custom shop set it up with the latest ES electronics and bone nut and saddle Learn More

This Gorgeous 12-Fret Grand Concert (GC) features handpicked AA Koa back, sides and top, with rich Cocobolo binding and latest ES electronics Learn More

12-fret Grand Concert featuring a shaded edgeburst top. Solid sapele back/sides, solid mahogany top, 24-7/8-inch scale length, Italian acrylic small diamond fretboard inlays, black binding, white/black top purfling, 3-ring rosette, all-satin body, Taylor slot head tuners with ivoroid buttons, and Expression System® 2 pickup. Ships in a Taylor deluxe hardshell case Learn More