Search results for 'Martin Guitar Limited Edition'

The perfect accessory for Taylor’s new all-koa 700 Series models, this premium guitar strap features the original Fountain inlay pattern designed for these exciting new guitars. With striking accents and soft padding, the Fountain guitar strap offers comfort and style in equal measure. Made in the USA. Learn More

Our Custom Martin Size 0 42S Series is based on one of our favorite Vintage Martins. It is an ornate model with solid premium East Indian rosewood back and sides, select Sitka spruce top, Mahogany neck, gorgeous 42-Series inlays, polished gloss finish and a hand-fit dovetail neck joint. Learn More

This is a full custom SCGC H13 featuring AAA Koa body with Cocoboo Binding and rosette, and slotted headstock. Learn More

Martin has built the worlds finest ukuleles since 1916, and tenor ukes since 1929 that have long been prized for their full-bodied voice and great volume. The C1K concert-sized model features top, back and sides crafted of solid Hawaiian koa, a wood native to Hawaii and a favorite of island players. Entire body is finished in high quality satin lacquer, and features an applied dovetail neck joint. The C1K Uke is a beautiful example of why Martin is still the name in superior quality ukuleles. Learn More

“Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

Players continue to discover solid African Ovangkol's responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. White binding applies a crisp counterpoint against the gloss top and mottled brown hues of Ovangkol, while the Expression System 1 wires these guitars for high-fidelity amplified acoustic sound Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

The Martin D-13E Retro Walnut brings upgraded tone and timeless style to the Road Series. It features a solid spruce top and solid black walnut back and sides in a gloss finish for rich sustain, strong bass, and clear, balanced tone. Walnut—known locally as “Pennsylvania rosewood”—adds warmth and tonal complexity that rival more traditional tonewoods. The Dreadnought body and scalloped X-bracing deliver bold projection and dynamic response, while the Performing Artist neck with high-performance taper ensures smooth playability. Style 28-inspired visual appointments nod to iconic Martin design, and with versatile E1 electronics, a built-in tuner, and a softshell case, this guitar is built for players who know where they’re headed—and need the right tool to take them there. SPECIFICATIONS OVERVIEW Highlights: D-14 Fret body size Black Walnut back and sides Spruce top with Aging Toner top color PA Profile neck with High-Performance Taper 1 3/4'' fingerboard width at nut Softshell case Recommended Strings: Authentic Acoustic Lifespan® 2.0 Guitar Strings Phosphor Bronze - Light Top
: Top Material: Spruce Finish Top: Gloss Top Color: Aging Toner Top Inlay Material: Multi-Stripe Top Detail: None Binding: White Bridge Material: Ebony Bridge Style: Modern Belly Bridge String Spacing: 2 5/32" Bridge Pin Material: White Plastic Bridge Pin Dots: Faux Tortoise Pickguard: Faux Tortoise Pickguard Inlay: None Rosette: Style 28 Boltaron Saddle: White TUSQ® Saddle Radius: 16" Body: 
 Body Size: D-14 Fret Construction: Mortise & Tenon Neck Joint Back Material: Black Walnut Side Material: Black Walnut Back and Side Finish: Gloss Back and Sides Color: Natural Stain Back Detail: None Side Detail: None Back Purfling/Strip: None Back Inlay Material: None Side Inlay Material: None Bracing Pattern: X-Brace Brace Shape: Scalloped Brace Material: Spruce Brace Size: 5/16" Heelcap: White Endpiece: None Endpiece Inlay: None Neck: 
 Neck Shape: PA Profile Neck Taper: High-Performance Taper Neck Material: Select Hardwood Neck Color: Natural Finish Neck: Hand-Applied Scale Length: 25.4" Number of Frets Total: 20 Neck Joins Body At: 14th Fret Fingerboard Material: Ebony Fingerboard Width at 12th Fret: 2 1/8'' Fingerboard Width at Nut: 1 3/4'' Fingerboard Inlay Style: 28 Style Dots Fingerboard Inlay Material: Faux Mother-of-Pearl Fingerboard Binding Material: None Side Dots: White Headstock: Headstock Shape: Solid Headplate Material: Brazilian Rosewood HPL Headplate Logo Style: Script Ink Headplate Binding Material: None Tuning Machines: Nickel Open Gear Knob: Butterbean Nut Material: White Corian® Misc: Case: Softshell Label: Paper Label Electronics: Yes Electronics Options: Martin E1 Left Handed Availability: true Pleked: true Learn More

Martin SP Lifespan strings are the next level in studio performance. Learn More

Each set of sapwood-rich African ebony selected for the 600 Series LTDs is uniquely exotic, as contrasting hues bend the bookmatched symmetry into abstract art. Compared to the Macassar ebony used in recent years for guitar backs and sides, this species has a higher density, which translates into a rich, ringing character with an even quality across the tonal spectrum. Learn More

Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More