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Boost your performance with the L1 Model II system, Bose's most advanced portable amplification system for musicians, DJs and public speakers. The loudspeaker delivers 180 degrees of horizontal sound coverage and our smoothest tonal balance—across the stage and throughout the room. And the ToneMatch audio engine provides a suite of studio-class effects and tone-shaping tools to give you just the sound you're looking for. Includes one B2 bass module for more flexibility and even greater power at the low end. Learn More

This is a recent Music Man Armada featuring several new innovations like using a neck-through design. With a mahogany neck running through its mahogany body, the Armada gains in both tone and sustain. Learn More

East Indian Rosewood is the choice wood used for the back and sides of this captivating guitar. The top has been made with hand selected Redwood. The soft sound of this guitar is incredibly appealing to fingerstyle players. Learn More

This is an SCGC RS model which is Richard Hoovers interpretation of a vintage Gibson jumbo. For these slope shoulder jumbos SCGC uses perfectly quarter sawn, narrow, stiff, spruce brace stock, and then they double taper it. The first taper extends out beyond the bridge plate and then the second taper drops to the linings. This heavily knifed bracing style is something unique to Santa Cruz developed exclusively to create the woody, dry, explosive tone that the old Gibsons were prized for. It creates a light low mass brace, while not losing the snap and explosiveness that can be the result of a scalloped bracing design. Learn More

Gibson LG2 American Eagle produces a tone that rivals much larger guitars while maintaining exceptional clarity and focus in individual notes. Ideal for folk, blues and finger style, the LG-2 maintains a full-dynamic range in a compact package. Handcrafted solid tone wood and scalloped top bracing provide the warmth and richness that have made spruce and mahogany a classic combination in acoustic flat-top guitars, while the short scale and roomy yet comfortable nut width make for easy playing no matter what the style. Quality Gibson construction, a dovetail neck-to-body joint, and simple appointments remain true to the intent of the original, while subtle changes in playing feel provide the modern player with the best of both worlds. Equipped with a Baggs Element pickup, the LG-2 is ready to accompany you at the coffee shop or in the concert hall. Learn More

This is a Webber Rosewood Spruce 000 12-Fret with slotted headstock in excellent condition Learn More

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

When Gibson revamped the Les Paul Standard of 1958-’60 into the Les Paul/SG of 1961 (later simply SG Standard), it introduced a wealth of features that continue to appeal to a wide range of players, long after the reintroduction of the single-cutaway model that it was intended to supercede, many of which are shared by today’s SG Special and SG Standard. The solid mahogany body was thinner and lighter than any solidbody Gibson had produced before, and it still provided a wealth of rich, warm, woody resonance, but with a little extra snap and zing to the tone — all without the back ache Learn More

This is a 2024 Gibson Hummingbird in excellent condition. Body Shape: Dreadnought Back & Sides Wood: Mahogany Top Wood: Sitka Spruce Finish: Gloss Nitrocellulose Lacquer Color: Antique Natural Body Bracing: Scalloped X-bracing Binding: Multi-ply top/back Neck Wood: Mahogany Neck Shape: Rounded Radius: 12" Fingerboard Material: Rosewood Fingerboard Inlay: Mother-of-Pearl Parallelograms Number of Frets: 20, Standard Scale Length: 24.75" Nut Width: 1.725" Nut/Saddle Material: Bone/Bone Bridge Material: Rosewood Tuning Machines: Gotoh Keystone Electronics: LR Baggs VTC Under Saddle Pickup Strings: Gibson, .012-.053 Case/Gig Bag: Hardshell Case Learn More

The Collings UT3 K is a fully appointed tenor model with premium, solid flamed Koa top, back and sides. With its superb tone and unmatched craftsmanship, the UT3 is sure to please the most discerning eyes and ears Learn More

The Goodall Grand Concert offers a wonderful blend of clarity and balance with a rich punchy bass response and excellent sustain. While this model is considered ideal for the fingerstylist due to its responsive top, it is equally appropriate for the flatpicker or plectrum player Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar. This is a vintge 2004 model.

Full Specs are as follows:

Body type: Super Jumbo
Top wood: Sitka Spruce
Back & sides: Flame Maple
Bracing pattern: Scalloped
Body finish: Nitrocellulose lacquer
Nut width: 1 - 3/4"
Fingerboard: Rosewood
Neck wood: Maple
Scale length: 25.3
Number of frets: 20
Neck finish: Nitrocellulose lacquer
Electronics: Fishman Matrix
Headstock overlay: Ebony
Tuning machines: Gold
Bridge: Rosewood
Case: Original Hardshell case
Country of origin: United States

This guitar has no structural issues, but it does show small dings on the body, neck, and on the headstock. Neck angle is perfect, frets are good, and electronics work as they should. The case is alo in good condition, but the tolex has some wear around the edges. It is perfect inside.

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