Search results for 'Martin Guitar Standard Series'

Music and craftsmanship are a big part of Luthier Bill Wise's heritage. His father and grandfather were excellent craftsmen and mechanical designers. Artistry and musical talent are matched on his mother's side as well. In 1996, while searching for a new guitar to satisfy his desire for a high quality finger-style instrument, those who know of Bill's talent and ability suggested he build his own. After stringing up his first instrument and hearing the clarity and beauty of its sound, he decided lutherie must become a full time pursuit, Charis Acoustic was born! Learn More

This is a 2001 Gibson ESDT-335 featuring a beautiful trans dark cherry finish and figured single-ply bound Maple body for a cool vintage look. Also features Rosewood fretboard, NGold Hardware, Grover Tuners, and 57 Classic humbucking pickup. Learn More

This is a one owner 1939 Kalamazoo KG-14 in amazing condition. This guitar has a full setup restoration March of 2018 at Asher Guitars here in LA including a neck reset so it now plays as good as it looks and sounds. Comes with original case and the original tuners which have been replaced. The KG-14 was made by Gibson in Kalamazoo, Michigan featuring a 00 size body, sunburst finish, spruce top, mahogany back, sides, and neck, ladder bracing, Brazilian rosewood fingerboard and bridge, and a firestripe pickguard. Learn More

This is a 2000 Ribbecke Monterey Archtop featuring Solid bookmatched handcarved tap tuned Sitka spruce top, handcarved premium Bigleaf flame maple back and sides. 2 piece tiger maple neck, solid ebony fingerboard, pearl and abalone headstock logo, and Ivorid body, headstock, neck and soundhole binding. Learn More

This is a mint, custom Go Guitars Type II Parlor built by master Luthier Sam Radding. Mostly known for giving Bob Taylor his start in the guitar business, and more recently for his outstanding Go Travel guitars, Sam has also been building custom guitars in sizes ranging from small 3/4 size Parlor guitars up to 00 size models. Learn More

This is a vintage 2000 Gibson J45 in gloss Ebony that has seen to gigging and show some minor dings and scrapes the worst one being one that gos through the finish in the soundboard. Learn More

This is a McPerson MG-4.5 with Redwood top, and Rosewood back and sides. This is a plyers guitar with some dings, pick marks, and capo dents on the neck, but it plays and sounds amazing Learn More

This is a 2009 Stehr 00-12 with all the bells and whistles, full specs are as follows: 00 12-Fret Body Soundboard: Sinker Redwood Back and sides: Macassar Ebony Macassar Binding, Fretboard, Headstock and Bridge: Rosette: Paua Burl Neck material: Mahogany Lower bout: 14 7/8" Upper bout: 10" Waist: 8 1/4" Depth: 4 1/8" Length of body: 19.5" Overall length: 39.25" Scale length: 25 3/8" Nut width: 1 11/16" Saddle spacing: 2 1/8" Electronics: K&K Mini Burle Fret Markers Side Soundport X Brace, Forward Shifted Carpathian Spruce Learn More

This is a 1993 Fort Bragg Goodall WJC-12 12-String Jumbo featuring gorgeous figured Walnut back and sides, select Engelmann Speuce top, and active under saddle electronics. Learn More

The Huss and Dalton CM model is perfect whether you are a songwriter needing an inspirational writing tool or a discerning finger stylist, or perhaps a blend of both. Though somewhat smaller than a dreadnought and with deep sides at 4-5/8", it really packs low-end warmth and response. The elegant design includes fretboard bindings of figured maple, an abalone rosette, and an understated 12th-fret scroll fretboard inlay in abalone. The Huss & Dalton CM will give you the full tonal spectrum, as well as the reach to achieve the most complex melody. Standard woods are Engelmann Spruce with Indian Rosewood back and sides Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More