Search results for 'Es 335'

This is a 2005 custom ordered Goodall Koa Jumbo Baritone featuring master grade Koa body with fully matching top and back, Koa binding throughout, and Paua trim Learn More

From Taylor Guitars "golden era" we have vintage 1998 Taylor K20c dreadnought Koa series with cutaway and passive under saddle pickup. This guitar features one piece Mahogany neck, a 1-11/16" nut, and some amazing master grade Koa you don't see much anymore Learn More

This rockin’ archtop cutaway with Bigsby® tremolo is enough to satisfy all of your rockabilly, blues-rock, and/or shoegazer dream rock fantasies! It features a pair of Custom Godin Humbucker pickups delivering a load of serious tones, all controlled via a 3-way toggle switch and volume & tone knobs. The Gloss Tops (GT) are paired with semi-gloss back & sides that deliver a stunning aesthetic look to the guitar that is second to none! Learn More

Taylor Guitars 456ce SLTD 2014. The cutaway 12-string 456ce showcases solid African Ovangkol’s responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. Like all Taylor models, the sleek profile and low action of the neck makes our 12-strings incredibly comfortable to play, with crisp tonal separation. White binding applies a clean counterpoint, while an all-gloss finish on the body enhances Ovangkol’s beautiful variegation. Taylor’s onboard Expression System® 2 acoustic electronics respond with high-fidelity amplified acoustic sound that will make any performance or recording shine Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More

This Custom Shop OM-28 was spec'd at Winter NAMM 2014 and it features hand selected Madagascar, with Premium Adirondack top, and full hide glue constriction Learn More

1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

This is an 2014 Martin D-18 Dreadnought featuring sleek, modern High Performance Neck for enhanced playability, gorgeous Sitka Spruce top and select Mahogany back and sides. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Heritage Guitars H-150 Limited Edition #11 of 25 Vintage 2008 Learn More

2007 Fender American Deluxe with Ash body and sunburst finish in excellent condition Learn More