Search results for 'Martin Guitar X Series'

Collings D1A Mahogany Adirondack Dreadnought with Deluxe Hardhsell Case. While Collings is certainly not the only company to build the square shoulder Dreadnought, they bring a new tonal clarity to the depth and warmth usually associated with such a large guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, it is alo a favorite of bluegrass flatpickers who must compete with other, louder instruments such as banjos and fiddles. Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

Built in accordance with Martins responsible guitar building practices, the SWOMGT sustainable wood model provides a combination of great tone and attractive appointments. Yes, the majority of wood utilized in this instrument originated in forests managed in an ecologically responsible manner, but it looks, plays, and sounds great too. Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

The MINSTREL, like the Tupelo, gives a warm and woody Old-Timey sound. With a scrolled peg head and Mother-of-Pearl shell inlay in the Frailing scoop, this model is fashioned after the American Antebellum banjos. The 2-ply solid Maple rim is 9/16” thick and is capped with black Ebonite and bound with simulated Tortoise shell. A varnish finish is hand-rubbed generously and then sealed. The OME 12” maple Tone Rim construction combined with less brackets and wood rim-rod produce our “woodiest” Old-Time banjo tone. The MINSTREL is made with the same care and precision as other OME instruments and comes with a deluxe hard-shell case. Learn More

Fender American Performer Sandblasted Telecaster - Daphne Blue With Gig Bag Features: Sandblasted for a one-of-a-kind finish Vintage-tinged tone with higher output and modern wiring Greasebucket tone control rolls off highs without adding bass Fast-playing Modern “C” maple neck Specs: Number of Strings: 6 Left-/Right-handed: Right-handed Body Type: Solidbody Body Shape: Telecaster Body Material: Ash Body Finish: Gloss Polyurethane Color: Daphne Blue Neck Material: Maple Neck Shape: Modern C Radius: 9.5" Fingerboard Material: Rosewood Fingerboard Inlay: Dots Number of Frets: 22, Jumbo Scale Length: 25.5" Nut Width: 1.65" Nut Material: Synthetic Bone Bridge/Tailpiece: 3-saddle Telecaster String-thru Tuners: Fender Neck Pickup: Yosemite Tele Alnico 5 Single-coil Bridge Pickup: Yosemite Tele Alnico 4 Single-coil Controls: 1 x master volume, 1 x master tone, 3-way blade pickup switch Strings: 9s Case Included: Gig Bag This guitar is in excellent as-new condition Learn More

Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More

This is a Bourgeois Custom D with Adirondack top, AA Rosewood back and sides, and hardshell case. Learn More

Collings MT Mandolin in full gloss finish Learn More

2011 Taylor 12-Fret GA-LTD Grand Auditorium with Macassar ebony back/sides and Cedar soundboard with edge burst, slotted headstock, Macassar backstrap, figured koa binding and back strip, bone nut and saddle, inlay-free fretboard, cutaway and latest ES electronics. Only forty of these GA LTD's are being built Learn More

Mid 80's Fender Squier Stratocaster Black with Rosewood fretboard Learn More

This is a Composite Acoustics OX RAW ELE which is an OM/000 size acoustic guitar featuring all carbon fiber construction. The RAW finish leaves the polished soundboard exposed allowing it to resonate more freely and the matte black finish on the back will need little care making this the perfect take anywhere guitar. This guitar was one of the last ones built by Composite Acoustics before they closed March of 2010. In addition to the original LR Baggs Element pickup this one has been fitted with a K&K Trinity (does not come with the external preamp) which is better suited for intimate settings and for recording Learn More