Search results for 'Martin Guitar Orchestra Model'

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More

This custom nylon string features 12-Fret Grand Concert (GC) body with handpicked Flamed Maple back, sides Sitka Spruce top, gorgeous flamed Koa binding and Tropical Vine inlay Learn More

This is a 1980 Gurian 3H-S3R. Gurian Guitars was a manufacturer of high quality acoustic guitars based in New York City, then Hinsdale, New Hampshire and finally West Swanzey, New Hampshire, from the 1960s to 1981. The guitars were designed by luthier Michael Gurian who also supervised production. The company was one of the earliest "boutique" guitar brands in the United States, offering an alternative product to those of the larger, factory-based makers of the day, with instruments characterized by a distinctive shape, features and sound. The S3R is a mid-sized instrument with plenty of power, brilliance and sustain. This size is quite versatile, an excellent choice for solo or accompaniment. The Size 3 model has become a favorite for recording work thanks to it's balanced tone. The 3H was a higher grade version of the standard S3R featuring 3-piece back, herringbone inlay on the top, back and sides gold plated Schaller tuners. Specs are as follows: Top Wood: Sitka spruce Back and sides: East Indian Rosewood Binding: Maple Rosette: Herrinbone OAL Length: 41" Body length: 19.5" Upper bout: 12" Waist: 10.5" Lower bout: 15.25" Maximum depth: 4" Scale: 25.7" Nut width: 1 19/32" Saddle Spacing: 2.25" Electronics: K&K Mini Condition is excellent with a few handling marks here and there but no issues to mention. Comes with Cedar Creek case shown. Learn More

Made from 2002 to 2004, the Martin CEO-5 was a special edition D-12 style dreadnought with bearclaw Sitka spruce top. Both bridge and fingerboard were striped ebony. Martin CEO C.F. Martin IV asked the Acoustic Guitar Magazine Discussion Group for their design ideas and the resulting guitar was named as the CEO's choice. The interior paper label was signed by C.F. Martin IV. The peghead was slotted and faced with East Indian rosewood with a small raised gold foil logo. Learn More

Introduced in 1956 the Fender Electric 4-string Mandolin, the Mandocaster features contoured Alder body, Maple neck, Rosewood fretboard and gorgeous burst finish. This one is a pre-CBS model made in 1960 and it is all original, and in amazing condition. Comes with original Fender hardshell case shown also in excellent condition. Truly one of the nicest ones we have come across Learn More

2015 Waterloo WL-14 LTR with ladder bracing option providing a woody and open tone, with midrange honk that's perfect for fingerstyle blues. Learn More

This is a 2003 Goodall Grand Concert featuring Special Reserve AAAA Koa back and sied, and Master Western Red Cedar top. This guitar offers a wonderful blend of clarity and balance with a rich punchy bass response and excellent sustain. While this model is considered ideal for the fingerstylist due to its responsive top, it is equally appropriate for the flatpicker or plectrum player. Learn More

The Violin One is probably one of most sought after PRS Private Stock guitars out there. This one is number #20 of 50 and is in Mint, as new condition. Learn More

1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More